"Space One" was written and produced by big-time criminal Luc Besson, which explains why the film's short legs are so obvious. The third-rate director Luc Besson has left a deep impression on the film industry, but like Hong Kong director John Woo, he just made the right movie at the right time. Pursuing a certain style on the basis of de-culture can only hit the water in a bamboo basket.
This time, "Space One" is copying John Carpenter's 1981 "Escape from New York" in both form and content. The only difference is that the scene of "The Great Escape from New York" is in New York, while the scene of "Space One" is Space Prison. In this way, "Space One" has the genes of "Alien 3" from the lens and scene. The various tributes grafted by the new director make the film less familiar than the theme, and even the vilification of politicians in "The Great Escape from New York" is very subtle in "Space One".
The development of space science fiction films has produced a large number of impressive and thought-provoking films. "Space One" seems to just use the space prison scene, the mind does not leave the earth. The film has no output of values, and no subversion of human common sense. There are only glib stubborn men and dumb beauties.
The screenwriter of "Space One" introduced a very stinky protagonist, but the protagonist did not do anything beyond the audience's expectations later. In addition, all kinds of cottages lacking innovative spirit also make this film particularly dull, and the lack of story theme and imagination makes the film completely drool. Under the distinct personality of the protagonist is the lack of personality of the whole film. (The movie is crazy/irritating, please indicate the source for reprinting)
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