The whole movie is trying to reverse the process of God's creation, 6 days, naked. The father and daughter packed up and fled from the stone house. The spinning wheel suggested that there was nowhere for them to escape, just like the existence of human beings, survival means falling into Plato's cave. The rational construction since Socrates is so powerful that Nietzsche's attempt to reverse Plato is ultimately just an exploration of its opposite. The empiricist Whitehead mentioned in Process and Reality that the entire history of Western philosophy is only A footnote to Plato's page, this kind of helplessness is undoubtedly revealed at the end of the film. On the 6th day, there is no light in the sky. Whether Genesis is against Genesis, where is the way out?
The answer is very negative, because Nietzsche went mad at the end. Is madness another form of existence, as Foucault examined in "The History of Madness in the Classical Age". Why did Nietzsche say "Mom, I'm stupid" at the end? Why is it mother? The setting of personal names shows that Nietzsche finally turned back from the opposite of Plato, like Oedipus, who inevitably killed his father and married his mother , he no longer speaks, the language only escapes in his heart, and the 146-minute movie actually ends after he says the word stupid.
2 The language of gust of wind in the movie.
The Bible says that as soon as Yahweh opens his mouth, the earth will shake and the mountains will be shaken. . . All in all, it's pretty cool. The gale here should describe Nietzsche's language, and the whole film shows Nietzsche's inner activities.
3 Dionysus goes away.
The bald-headed uncle who came to drink wine is alluding to Dionysus, the god of wine. He has a very devilish image, but he said a lot of things that should be said by God. Antichrist, it fits Nietzsche's attack on religion. In addition, Nietzsche praised the god of wine, and it was this gentleman's movie that finally fell into the abyss, just like Nietzsche who was crazy at the end.
4 Eating insinuates the oral stage.
It's a bit reluctant, but when I saw the father and daughter eating potatoes, I felt that it was a bit depicting incest-sex, plus the description of the excretion only turned to the horse, and the father's eyes looking at the daughter are so focused, disappear The excretion of the excretion hints at the fear of incest. It must be like this. Finally, Freud was successfully brought out, and the oral stage did not run away.
5 The act of giving propositions is suspected of kidnapping thoughts.
The opening narration points out that "this film gives an interpretation, what happened to the horse that Nietzsche went crazy after hugging", it is understandable that the frame is given and the premise is set in the interpretation behavior, and the proposition of the proposition will inevitably fall into domination. But the kidnapping I am talking about is only a suspicion, depending on the manifestation of the object, that is, the kidnapped person.
6 Movie-induced Stockholm Syndrome.
Thoughts return with the carriage, the film provides images of everyday familiarity and endless strings, so the audience is happy to sit by the window like the daughter. But the destructive storm is still there, so the expectations of the daughter and father have not stopped, and it is the expectations in the eyes of the two that remind the audience that they are in a state of being hijacked at the moment.
The movie provides a plane, and the audience on the spot gives this plane the possibility of extension, so the generation of escape space requires both of them to be "evoking". The audience is safe in that space, bound and safe.
View more about The Turin Horse reviews
