The director lacks his own personality, and the influence of his father in this work is very obvious, but in the absence of the magical color and mechanical pursuit of many similar films by Hayao Miyazaki. In the future, the film must require the arrangement of the plot, and the protagonist's emotional handling of these details reflects the director's skill. This is in two places, the director is difficult to say qualified.
The current literature lacks imagination, which has seriously affected the creation of films. The script can be said to be an animated version of a Korean drama. Considering the style of the film, it has to convey such a plot that appears in almost every Korean drama. In the end, I did feel cheated.
Although the director was powerless to the script, he still did not show his sincerity in handling the details. On the same theme, comparing Takahata Isao's "The Call of the Years" and Kondo Yoshifumi's "Listen to the Ear", the judgment is high and low.
Miyazaki Goro can be a good animation director, but if he wants to be TOP, it seems that he still has a long way to go.
There are so many great people in Studio Ghibli, but Hayao Miyazaki is all about pushing his son to the front desk. I don’t know if anyone knows if there is any insider information. It is estimated that the media is also a “crab” for this, and it may take a long time before Know why.
Among the Ghibli animators, I like Takahata Hsun the most, but this man is procrastinating and procrastinating, like Wong Kar Wai making movies, but unfortunately he did not get the same treatment as Wong Kar Wai.
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