Looking back now, a lot of things have become flavorful.
First, in the process of watching, I found that the fucking gangsters can also have a territory. But the ending was logical, an oriental man in his own way did conflict in America.
The second is the details. The idea of merging with Little Tokyo was not the idea of the boss, but the boss respected the views of his subordinates, which led to the tragedy that followed. The boss let go of the mafia boss so that Denny could live, took all the blame, and attracted all the firepower.
The third is some scenes. For example, the honest child died inexplicably in the car that was avenging Shirase. The gunfire flickered, and all the underworld affairs seemed meaningless; Cycle, a wounded eye lives.
While I was thinking about writing this, I finally understood the meaning of the movie name BROTHER.
The arrival of the gangster made a few gangsters come to prominence, but the arrival of the gangster and their opinions made their power and Little Tokyo combine to a higher level ( There is a classic scene here that can be called a brother, that is, he would not hesitate to shoot himself with a gun in order to gain trust), and then this temporary gang led by Orientals was destroyed because it did not adapt to the United States, so that none of Denny's family was spared. Seeing the two of them go to take revenge together, I felt that the boss took it for granted. After all, it was caused by his arrival. Only then did he realize that Denny's revenge had nothing to do with the boss.
In addition, the big guy really has careful thinking under his stern appearance (from the beginning, the killer was killed in advance by the details), since it is revenge, just kill the boss directly, why should he tease him not to kill him? I think it should start with the big boss to get revenge together, and then I think of a series of plans to let the boss fake Denny to help him escape.
It's messy, so I'll fix it after reading it a second time.
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