It can be said that EVA is a knot in my heart, and this knot may also be a knot shared by our same generation. I remember that it was this animation that made me when I was a teenager suddenly realize what a broken situation I was in. For the first time, I realized the darkness of myself, and I began to look forward to the completion of myself :) After so many years, I suddenly found myself watching EVA's perspective has changed. In the past, he often projected himself on Shinji, but now he instinctively distanced himself from Ikari Shinji - Ikari Shinji has become the "other" - does this represent my maturity? Or is the ATField already expanded?
Time has passed, and the closed and repressed heart seems to be slowly disappearing. Now we have already had a position, identity, face, and attributes in the organization, and we have the fetters that we cannot help but protect. We have become the kind of people like Ikari Yuandu who can give the final order without hesitation and no regrets for the ultimate ideal? Wait, do we already have the ultimate ideal?
Looking back at this work now, I always feel that the spiritual characteristics of the original work have been seriously damaged. I'm still moved, but it's just a conditioned reflex impulse from my heart to the original spirit. The new changes make me a little bit maladaptive - the transition of Rei Ayanami's changes is very strange, and the arrangement of the cooking is a bit too sensational, Asuka The scenes that are only enough to play soy sauce are really unbearable, and even the plot of the runaway makes people feel uncomfortable.
It can be seen that the new revision hopes to give Ikari Shinji's psychology more social background, and more emphasis on the correlation between his psychological state and the interpersonal communication around him. Attempts to weaken the existence of some inherent dark psychology - for example, the original is more willing to admit the dominance of the Oedipus complex. But I always feel that it is powerless and foolish to hide this motive. Being able to face the depths of darkness is the first step through.
Now we are all "old", but that sense of identity is still shaping us, look at the long queues today, look at the fans who come to watch the movie with their homemade apostle masks, and look at the movie with the big figure of Ayanami. mm, I seem to be "old" and "child" again. The residual emotion should be buried in the bottom of my heart, and the excited tears should remain today. We have an obligation to give the next generation a better future.
Let's look forward to finishing it up again, saying these words from the bottom of our hearts again
Thank you
dad, thank you
mom, goodbye
to all the children, congratulations
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