Let's rant..., Reivew on The Last Metro

This film fails to capture the core point, maybe I still prefer more dramatic films. The director's editing is very enchanting, sometimes jumping violently in the bridge segment, and sometimes dividing the scene with a long visual pause to fade the scene, at least in the movie theater, the brain capacity can't keep up with the inner thoughts of this kind of intention. The film has a strong atmosphere of suspense, and I can't see it has anything to do with the plot. Maybe in order to exaggerate the white horror atmosphere of that era, I once thought that the male protagonist was a Gestapo or something. The strong suspicion even caused me to miss the recorder. A very subtle hint that the male protagonist used the theater radio to engage in bombing activities against the Germans. Many comments on the Internet are about the relationship between the big era and the individual, although I can't see any relationship after watching the movie, and I feel that neither the title nor the theme has been dug deep enough - it may be the heroic death of the war. Watched too many movies. Living in a troubled world and struggling to make a living is a very good interpretation, especially through the characters one by one—the characters in the film are very full (in addition, when watching this film, I expressed a strong sense of laughter from the classmates in the same theater) Contempt, as expected, I can't accept the idiocy contagion of joy that everyone laughs and laughs at) - the resistance to an era shown by a single character. Whether it is a pro-German ugly face or a cute girl busy on various studios, they are the epitome of the struggle for survival. As for the love triangle, I don't see any meaning at all, maybe it's Truffaut's own bad taste?

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