A killer wants to quit the club and his dad won't let them so they fight and the drama is over, Reivew on Dragon

In fact, this film has a good foundation, innovative style, attractive character setting, realistic narrative, and poetic pictures. The first half of the film did indeed bring out the novelty of a martial arts film, and I think Takeshi Kaneshiro is a gentleman who is neither salty nor bland. From the shape to the accent, Pu is incompatible with other people. Not only is the character of the detective who is crazy and has a split personality, it is very interesting and has the potential to dig deeper. It's a pity that the overall narrative structure of the film is too small. The name "Seventy-two Disha" is at best the level of a cult grass-roots trade union organization. Once again, there is a "Thirty-six Heavenly Gang" bigger than you! A killer wants to retire from the club. His dad won't let the simple story that can be told in such a sentence dragged into an entire play, lacking more plot ups and downs and profound ideas, so in the end, only the aura of Wang Yu's boss can make people feel a little bit more spirited. In addition, it can't bring the emotional climax of the audience at all, let alone support such a big name as "Martial Arts". As for the gimmick of martial arts science that was most widely publicized beforehand, it was only a gimmick in the end. Except for the investigation of Takeshi Kaneshiro in the first half, it didn't play a big role in the plot after that. Of course, you have to say that boss Wang Yu inserted a lightning rod for no reason. I have nothing to say if I apply scientific knowledge even after being struck by lightning.

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