Fortunately, I don't have a TV or a phone at home.

Whenever it comes to horror movies, there is no suspense, and the first one must be the "Midnight Bell" in Japan, which seems to be the originator or the pinnacle of horror movies. Every time I hear someone talk about it, I have a terrified look on my face mixed with a bit of unfinished mystery, which makes me more and more timid, and has never been able to appreciate its style.

This morning, I was criticized for being bombarded indiscriminately, pouting and starving. After eating lunch, I decided to find some excitement.

Because of the deep-rooted impression of horror, I was tense from the moment I started watching, and a high wall was built around my heart. My ear is the bass from the fifth channel, and I cover my right ear a little bit. Be prepared for all emergencies. I started watching terrifying masterpieces and experiencing creepy pressures.

As the plot progressed little by little, I became a little anxious. Why didn't it start to be scary? I helped to make it up in my heart. It's time for music, and Sadako for this piece. I looked forward to it until the end, and the plot ended so smoothly. Bei Beilong said that what Asakawa said at the end was very scary. When I saw the subtitles, I thought again about what she said at the end.

It's not too scary, it's not scary from beginning to end, anyway, it's over without the slightest tremor.

I think there are three reasons why I don't feel it when I watch it.

The main thing is that I don't like this hard plot, it's not full enough, not coherent enough, not compact enough, it just depicts a dry and astringent backbone, without adding blood to it, it's just a pile of bones, even the skeleton is strung together. It's uneven, skinny and hollow, so the overall aesthetic is not pleasant, too bland. If there are no sound effects, there will be no scary atmosphere at all.

The plot was too exaggerated at the beginning, the gimmicks were very pompous, exaggerated, and magical. When people died, they were so frightened, their souls were frightened, and they felt like they were out of water, but the answer to the mystery was only A drowned ghost who fell into a well, the front is too much, but the ending is rather sloppy, she actually forgave Asakawa, and forgave a person who continued to take revenge on others. This idea is too negative. I still think that human nature should be softened a little more, and it should be more gentle, seeing the very positive and joyful side of human nature.

The actor's acting skills are also relatively blunt and simple, and the details and emotions are not sufficiently detailed. They are only performing for the sake of storytelling, and the traces of the performance are too obvious.

Secondly, the classic Japanese horror films are except for . The two films have a little similarity in that they are both caused by the accumulation of grudges, but I don't like such a theme . You have been brutally injured to death by someone, and you have accumulated grievances for a long time. You can have this, but it is not so deep, right? Even if your mother was killed, and you were killed, it was just a knock on the head and a fall into the well. If it is calculated like this, the ghosts of the Nanjing Massacre can eat up the whole of Japan. In addition, I don't think you should take revenge on others because you have accumulated grudges, and let others take revenge on others, which is completely incomprehensible. Maybe it's because of this that I can't enter the plot, and I don't feel scared when I watch it outside.

In the end, I think the so-called classic should mean that it can transcend the boundaries of time, and the more it is deposited, the more intriguing it becomes. Maybe brought too many new ideas as soon as it appeared in the 1990s, and it suddenly became a terrifying film that people will never forget. The development of technology, the development of film technology, the camera switching is more fancy, the sound effects are more ghostly, and the editing is more skilled. Now the horror of horror movies is much more bizarre and paradoxical.

I think 3d should be scary, crawling out of the screen and crawling on you, God...

I guess since watching and , My heart's ability to bear pressure has increased significantly, and I haven't seen any bloody, perverted, and bizarre things on TV. A Sadako really can't scare me.

In fact, when I wrote this, I really started to get scared. I don't look down on Sadako so much, and she has such a small heart. I must have challenged her self-esteem. I am really worried that she will come to me for revenge. Now I am definitely climbing the TV screen. Not on the grade, I have to think about where she will come out to scare me.

Actually I'm still scared. The entrance to the corridor on the first floor that I pass by every day, every time the iron door is closed with a click, I can’t see my fingers in the daytime, and there are two signs of “safety exit” hanging on the roof of the corridor, flickering with a faint green light. I feel horrible every time I go alone.

Don't wait for me there.

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