No matter how highly rated this movie is, it cannot be overestimated. The neat structure, the control of the rhythm, and the mobilization of emotions are better than the sword of death. Whichever comes to mind, the title is the layout of Jingyi's mansion, which is symmetrical, tidy, orderly, and lawful. By the end of the war, Jin Yun had messed it up. Let's talk about the theme, the samurai films of the new century, those of Yoji Yamada, are very good, but compared to the films of the 1960s, I always feel that they lack a little strength, blood, be content with the status quo, and be a good person. In the samurai movies of the year, under the hierarchical system, under the oppression of the daimyo, the samurai forbearance, but in the end, they would break out and draw their swords in anger. Nakadai's acting is good, needless to say, if Toshiro Mifune is the protagonist, maybe at the end the male protagonist will cut down all the enemies in a dashing manner and then be maimed by random guns.
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