--------------------------------
I was recommended by someone a few days ago, saying "Sunshine Cleaning" This film is better than "Little Miss Sunshine", and said that I will definitely like it. After watching it, I regret that I contributed it in 90 minutes, and I also contributed to my "loser always loves loser". image.
I like to watch tear-jerking movies. The tear-jerking movies that work for me are not the kind of big heroes who fall short and die at the hands of the enemy and fail to achieve great success. They are ordinary and rough people who want to pursue small happiness. How tough. (Simply put, it’s about the loser’s pursuit of dreams.) Occasionally, there are rough people bravely climbing the peaks, and the heights that are difficult to reach for the probing heroes are finally smashed to pieces or sublimated in the end. Of course, these films usually win awards. Because in the end it's still the main theme---the audience likes to cry happily and finally they have to laugh well before they think it's worth the price---I always feel that a good director is the one who plays with the audience's emotions. At least won the skill. In the past two years, "warrior" (Warrior) and "sunny" (Sunshine Sisters) have a good reputation. In contrast, the former is a bit silly, and the latter is too flattering.
Although the theme of "Sunshine Cleaning" is about the loser family, everyone in the family has flaws, and what is even worse is that the real environment does not allow them to condone their flaws, but everyone is still getting deeper and deeper. The character building is basically over, but The story is a lousy story, the director's narrative ability is also much poorer, and the editing is also poor. After reading it, the overall feeling is that a good theme was ruined by a few weak production teams. Even "Tangshan Earthquake" understands that if nothing works, you can finally rely on the golden skills of the characters to go crazy, but "Yang" doesn't bother to use it. The ending was also mediocre and reunited, which made the film worse.
It is worth mentioning that the female second emily blunt, with twisted braids, slightly thick black eyeliner and skin that is older than the character, is somewhat of a middle-aged woman pretending to be tender. What's more pretentious is the scene of picking up the train for her, which is embarrassingly tight. The lace who was standing aside should be scared to pee by the pretentious little feelings of a woman. . . . . .
The symbolism of the walkie-talkie on the truck that laid the foreshadowing in the middle section is too strong. It is estimated that those with a little common sense know that this foreshadowing will definitely happen in the future. So the ending happened without any suspense, and the female one just happened at the wrong time for no reason and no elaboration. Who would go to the car to get a walkie-talkie that I don't know who is listening to and shout in the air when they are sad. Finally pushed the pretentious atmosphere of the whole film to an extreme.
After watching loser movies for so long, what I am most afraid of is that the description of life is not down-to-earth, and I randomly find a few hard-working characters to piece together and then drive the characters crazy all the time, so as to incite the audience to cry. This is what low-level directors do. A movie that touches the audience's emotions with a sense of reality, if it is divorced from the foundation of realism, basically, if you want to deceive tears, you can only rely on blood.
This can still make people cry, indicating that the director's ability is OK. Those who are mad or people who don't know when to cry and when to hold back for a while until the end of the movie are really burning high incense. Among them, "Tangshan Earthquake" is a magical combination of the two. Two-for-one representative work. Most of the passages are broken (instead, some people think that this is just laying out), and the next dose of medicine kicked the audience to cry, which is worthy of the masterpiece of the year. Speaking of which, I would like to praise the director of Korean dramas. Although the usual leukemia, half-brother, and snarky old lady are almost crazy, I think the ability to control the audience's emotions is still very awesome. This is far beyond the reach of domestic directors.
----------------
Patronized and fired, the logic forgot everything.
In the end, I just want to say that for people who don't understand life, loser films should not be made at all. A director who understands life and has the ability to mobilize emotions is a good loser film director.
In addition, such a good theme of "Sunshine Cleaning" can be made into a series, from comedy to supernatural to detective.
View more about Sunshine Cleaning reviews
