Is Ke Wei's imagination and interpretation ability degraded? The director who is best at visualizing fictions that are generally considered unimaginable makes me want to read the original book or a philosophical work. Why watch a movie because it is so boring?
The director who is best at making sex extremely materialistic, wicked, disgusting, but addictive, has played a few times with car shocks and is boring, where is the frictional passion of the inexplicable relationship between cars and sex in a crash?
In my impression, Keguai's movies in recent years have been relatively restrained and minimalist since the history of violence, and then suddenly in the middle of the film, it will shock the audience to death, and this film is also restrained and minimalist, but also suddenly But when did this buddy become so talkative
to the point of discussing with theorists about how cyber capital should be coordinated with the demonstrations outside the car window? The captain of the security was beaten to death, I thought it was time for a climax, but it turned out to be a big mountain until the end,
the world banged loudly, you thought it was a terrorist bomb, but the director farted.
It is said that this postmodern novel is famous, but I didn't read it. However, the dialogue and advancement of the film is quite obvious in the style of postmodern fiction. Meta-fiction is broken and deconstructed, subverting nihilistic irony, collage, pseudo-sci-fi, meaningless, brain-damaged narrative (no derogatory meaning).
Our protagonist is a billionaire who shouts to buy the church at any cost. The security real-time monitoring is basically not enough for luxury cars, the prostate is symmetrical, and playing with car shocks several times a day is ugly and pessimistic. . .
At the same time, it is too dangerous outside. The boss of the International Monetary Fund was pierced in the eyes in North Korea, or it was live broadcasted
that the dangerous elements were clamoring for rats and rats to be the currency
parity of RMB (an upgraded version of the yellow peril, yuan repeated n times) to make our wealthy Shuai is about to go bankrupt
, his wife refuses to have sex, and says that the first time I found your eyes so blue, and then hid in the bookstore every day
What is this apocalyptic picture? . .
He has a sentence that clearly understands this: we are dying everyday, we are dying everyday
, he is dying, and the capitalist world is dying
. Or by killing individual rich people?
This is the attitude of nihilism, but who can come up with any substantive solutions at present? no.
You think, how can a dying thing be saved? !
un monde pourri, maudit et moribond!
There are three bloody scenes in the movie. On TV, the representative of capitalism is killed.
Eric suddenly kills his security captain, trying to break free and go to freedom
. Eric punches a hole in his palm with a gun.
The three times I met with my wife, I smelled your sexuality, the indifference of the two reminded me of
the opposite scene between the bald singer and three women, the first one is boring, the role of Aunt Binoche can be played by anyone, and the
second one One is doing the famous "prostate symmetry", while the other party is squeezing the bottle, and the
third one finally shows
up It is also a woman who
wants to say that the film interpreting postmodern novels is relatively successful, but it is too much to talk about. It is
better to watch Baudrillard's consumer society or Lao Ma's capitalism after talking so much nonsense
. Alienation is not as good as Ke Wei's nude lunch video murder, which is the perfect interpretation of the
epilogue: in the restaurant, his wife said, fuck, "I ordered this?" (I added it)
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