The whole film lacks tension. For the first 60 minutes, I felt that it was just a bump caused by various turbulent airflow. Maybe I was careless, and I didn't see any monsters or direct clues at all. Then a tentacle suddenly appeared and swept away the second female lead (this should be the highlight of this film), and then the identity of the monster was directly exposed by the comics, resulting in the shock of the final BOSS full-body photo exposure plummeting. Besides, in the cabin, A hysterical child destroys the oppressive atmosphere. In fact, sometimes silence is more infectious than screaming and roaring, and then the vague shadow of the monster makes the audience feel paradoxical, until the frontal attack pushes the atmosphere to a climax. Unfortunately, I feel that a good idea has not been well expressed.
Next, let’s talk about the background and structure of the whole story. I saw some comments that the entire air crash was actually imagined by the male protagonist when he encountered a flight accident when he was a child. This may be a reasonable explanation for the fear in the male protagonist’s heart to produce reality. ability. But this is a serious bug when the male protagonist (child) didn't know the female protagonist's name at that time, and it became a serious bug, so I prefer a popular explanation. Time, or coming to a parallel world created by fantasy makes sense. At the end, the black smoke of the horizon in the distance, the mother's vague expression of another plane, perhaps heralding the delivery of the lunch box (but, who cares? Who cares), and finally the little boy and the little girl hold hands and look at the sky. The camera is bloody, and it can be called the brightest one of the many failures of this film.
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