study notes

Robb 2022-03-23 09:02:04

Such an atmospheric historical space, character relationships, emotional entanglements, and the presentation of the director and actors are an overall failure.
Film is the art of storytelling, and lyricism is to help complete the narrative and verse the narrative. The overall large-scale scenes are closely connected with each other, and there is no breathing space. This is the director's failure to deal with the editing problem.
The progress in the twists and turns is not enough. With the passage of time, the characters in the film grow up. The characters in the film appear single or insufficient in the change of time. In addition, the performance of the actors cannot be divided into three parts. The film is very lacking in characters.
The post-graduation of the image cannot be unified with the overall tone of the page. Does this theme, this theme, match with such a clean and high-saturation magical style? Personally, I feel that the film feels stronger, and it may be closer to the theme of the movie in the image.
The substitution of non-perspective characters, no matter which character in the movie, gives the audience the feeling of being sorted out. This kind of sorting prevents the audience from entering the story very well. The characters in the movie should have masters and vice versa, but they have something in common. , is to let the audience enter the core of the story with the characters as the medium.

View more about A Dangerous Method reviews

Extended Reading
  • Clovis 2022-03-27 09:01:09

    For the first time, Cronenberg has used such a classical and elegant way to discuss all kinds of shocking things that he has always paid attention to, but it is just transplanted to the spiritual level, which is equally dangerous and equally chilling.

  • Vinnie 2021-12-18 08:01:01

    A history of academic gossip. KK’s ability to distort facial expressions is comparable to that of silent film actors. The jaw in the first twenty minutes was amazing...

A Dangerous Method quotes

  • [first lines]

    Carl Jung: [to his new patient] Good morning... I'm Dr. Jung. I admitted you yesterday.

    Sabina Spielrein: I'm not... I'm not mad, you know.

    Carl Jung: Let me explain what I have in mind. I propose that we meet here, most days, to talk for an hour or two.

    Sabina Spielrein: Talk?

    Carl Jung: Yes. Just talk. See if we can identify what's troubling you. So as to distract you as little as possible, I'm going to sit there, behind you. I'm going to ask you to try not to turn around and look at me under any circumstances. Now...

    [walks behind her as she flinches]

    Carl Jung: Have you any idea what may have brought on these attacks you suffer from?

    Sabina Spielrein: [stammering] Hu... humiliation. Any kind of... humiliation.

  • Carl Jung: I can only tell you that she's rather disorganized, emotionally generous, and exceptionally idealistic.

    Sigmund Freud: Well, perhaps it's a Russian thing.