Review
This movie is so creepy that you wish the dark theater lights up soon. - The cast of "The Village Voice"
tried so hard to be horrifying, especially Mr. Christensen, when he played the shameful reporter in this astonishingly broken truth, He also proved his acting skills. However, the kind of horror that transcends the characters does not attract the audience at all. —"The New York Observer"
No matter what an audience thinks of Christian evangelicals, to be a full-blown thriller, the film needs a stronger villain to be satisfying. —The Hollywood Reporter
Anderson made a zombie movie without zombies. - "Entertainment Weekly" behind the
scenes production
of "The Mechanic" director recreates the end-of-the-apocalyptic thriller puzzle
For the audience, the name Brad Anderson seems both familiar and unfamiliar, the thriller movie lover actually started after the age of 30. In 2004, a thriller "The Mechanic" (2004) not only reminded everyone of the scrawny actor Christian Bale, but also established Anderson's role in horror. His standing in the film industry, as evidenced by the one-episode TV series "Master of Horror" (2005) gave him. However, after that, Anderson seemed to fall in love with the TV field, and he basically wandered in the TV circle, including participating in the director of the famous drama "Edge of Crisis" (2008), which made him more popular, which also made his new film. "Disappearing on Seventh Street" gathered the attention of movie fans and drama fans, so it became a highly anticipated new thriller in early 2011.
"A thriller with apocalyptic mysteries", Brad Anderson himself positioned his new film, "four main characters wake up in a big American city, step by step to the outside world, to explore why every Individuals are gone." As for why he chose to make the film, Anderson praised the script, "I read my friend Gaswinsky's script. I really immediately fell in love with the core of this mysticism. Interesting in the story, and in this script, he doesn't provide a complete explanation of what's going on, he doesn't really solve this mysterious puzzle. I think it's a bold, personal, unconventional Try." It is precisely because of this appreciation of the slanting style of swordsmanship that Anderson took on the job of director. He said that in the script, the darkness itself played an important role, and its main source of stress, it is a kind of monster. And how to express the "dark" monster became a huge challenge for Anderson. He said that it was this technical challenge that attracted him deeply.
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