last year in marumba

Delia 2022-03-23 09:02:48

The dullness of this film is that the constant repetition of dialogue makes the plot feel as impatient as it spins in place. The heroine's pretense goes too far, I don't know if this is the norm in the 1960s, or it's the heroine's own special way of interpreting it, which is puzzling.

The amazing thing about this film is that it transcends the intertwining of the present and the past, and achieves the coexistence of the virtual and the real. Memories and reality merge. The male protagonist turns on the hypnotic mode to pick up girls throughout the film. The sentences are repeated to the point of outrageous, like babbling. In addition, the music with strong tension often appears in a way that escapes and without warning. In the 100 minutes, I felt more than once that this was clearly a horror film that crossed Chencang in the dark. In order to achieve this narrative style, the film develops amazing scene scheduling and camera movements, resulting in a shocking image style that I have never seen before.

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Extended Reading
  • Edmond 2022-03-14 14:12:26

    I’m honest, I don’t like the fact that I don’t understand, so I give two stars and leave five stars to those who pretend to be B. In addition, none of the comments on this film are normal, so I can’t groan without any illness.

  • Laurianne 2022-03-26 09:01:10

    Although Lei Nai's philosophy does not focus on the theme and focuses on the visualization of spiritual activities, I still want to talk about my personal interpretation: when love is far from the fresh-keeping period, the only elements that maintain emotions are sweet memories and tender feelings, trying to fight against the ordinary. of spending. One day, in an extreme environment arrangement, the attractive opposite sex undeniably implemented language hypnosis on you, deeply eroding all the vestiges of the lost love. Do you have any reason to hold on? 【9↑】

Last Year at Marienbad quotes

  • [X wanders through the hotel's corridors cataloging items he sees]

    X: Empty salons. Corridors. Salons. Doors. Doors. Salons. Empty chairs, deep armchairs, thick carpets. Heavy hangings. Stairs, steps. Steps, one after the other. Glass objects, objects still intact, empty glasses. A glass that falls, three, two, one, zero. Glass partition, letters.

  • X: I must have you alive. Alive, as you have already been every evening, for weeks, for months.

    A: I have never stayed so long anywhere.

    X: Yes, I know. I don't care. For days and days. Why don't you still want to remember anything?

    A: You're raving! I'm tired, leave me alone!