30'+30'+30' movies seem to be easier to win

Leo 2022-03-23 09:03:12

"Tokyo!" has been 4 years since watching the trailer. But the movie is really good. What can I say, the design is superb. A collection of three short films, most of the shorts in "I Love You in Paris" and "I Love You in New York" are really bland and mediocre.

The first paragraph is a bit bland personally, though a bit Kafka-esque (well, I haven't actually read Kafka much). Director Michelle Gunry filmed "Eternal Sunshine of a Beautiful Mind".

Ayumi Ito's voice is always attractive, and he knows people by hearing it.

The metaphor of the story is obvious enough that the heroine will transform into a peaceful and materially abundant life.




The second paragraph can only be produced in France, and it has a genetic anti-counterfeiting mark. No one can learn this taste.

Karax's films have a perpetually self-destructive streak of self-defeating behavior. An actor worthy of this style would prefer the lunatic Denis Lawan. In that long shot, the tension burst out of his body, and even Depp had to give up three points.


The sewer freak Merde of Denis Lawan is undoubtedly a destroyer of social order. The most interesting thing is that before he picked up the bomb, he did almost nothing, just acting out of bounds, which caused a huge panic in a well-ordered society. Ordinary citizens of all ages and identities described imitating his appearance and behavior in front of reporters, and learned so vividly. Who can say that these people do not have an "extraordinary" yearning in their minds?

I don't like the part about the bomb, it's very abrupt. Probably just to find a reason for the later trial scene.

The barrister from France, if not Merde's brother, was at least of the same race. Merde was so calm in the courtroom, but the barrister was agitated, just like another Merde, or a court geek.

The cynicism of Karax shown in this passage is too strong. And the director painstakingly designed a language that only three people in the world can speak (the third one is the director himself?), so that you can't really understand what Merde said. This creates a mystery: what did the barrister mean by Merde?




The story in the third paragraph is relatively simple, it can be said that "middle-aged otaku meets 100% girl". The temperament is a little complicated, and it looks like the Japanese filmed it himself, but it doesn't look like it. It turned out to be Feng Junhao. On the contrary, non-Japanese Asian directors made Japanese films very attractive.

The photography is small and fresh, and the home of the otaku under the large aperture lens is full of artistic beauty.

Teruyuki Kagawa's otaku acting is too convincing.

The middle paragraph is hilarious. From Yu Aoi to Naoto Takenaka, every man will be disappointed.

"As soon as the otaku goes out, the whole world retreats into the house", this idea is awesome!

Yu-chan's helmet looks stunning. What does the button on the body want to say? "sadness", "hysteria", "headache", "coma", "fear", "love", living in a rigid program? Are individual behavioral responses entirely determined by outsiders?

Araki Ryo Liang, who lives upstairs in Yujiang, showed up for two seconds. This buddy is a perfect match for the Hawaiian flower shirt.





I searched Taobao and there is no BD of this piece for sale.

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