The headshot of the old hospital is very unexpected, because it is rare, James Wen has such an ability: to take those ordinary shots into something new.
It's not too bloody, everything is as it should be, they deserve this
no Hollywood ending hero survives, only a mortal heart, it's all about revenge.
The hospital held the hand of the younger son and turned it over and revealed his affection, and said to himself, "Repay the grievances." When is it?", with a determined expression before the action, and then jumped out of the window.
The part of the warehouse transformation is great love, montage + the soundtrack with bright drums, very CULT flavor, I don't really understand the exact meaning of CULT, but it feels like that.
Changing clothes, wrapping bullets, shaving head and trying the gun Every scene made me exclaim that it was so handsome and dick, and it was even more indescribable to throw a shotgun out in the end. His result, but it was decided from the beginning - it was destined to be a road of no return.
The bar should be low-key, a gangster is a gangster, only gags, and Bacon was dumbfounded when he opened his mouth. His words and deeds are all clear: the old Hume is dead. With
a long shot in the garage, I feel that Bacon is too tired to run. I didn't pay much attention to the director's shooting techniques before. Before this article, I saw the forum saying that this film is garbage, hehe, this LZ is really complaining about the wrong place.
Finally, about the soundtrack, it's bold enough, but I know it's James Wing's usual technique, chainsaws, dead silence, and lurking, it's all such a simple melody with drums. There is another scene that is more impressive: the hysterical part of the wife rushing to the hospital to receive the notification that her son is dead, there is no desperate scream, no crazy frenzy, music is used since the wife appears, only expressions, only movements, ethereal The female voice + concise piano tells everything. At this time, silence is better than sound, and everything is silent.
There are also lines, no stereotypes, black humor, simple but meaningful; some self-deprecating, some irony, make the film more brilliant.
it was never gonna balance—The equation.
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