After watching this youth movie, I think Mu Nianci's rebuke to Yang Kang in "The Boys Here" is very reasonable.
Compared with the man who fell in love for the first time, the girl who is pregnant for the first time is obviously more focused, and the careful thinking of silent planning is more mature than the boy.
This is because the first time boys want to pursue a girl, they suddenly fall into metaphysical thinking: Am I a "man"? Can I make her "a lifetime" and "happy"? And girls seem to only need to think about some metaphysical problems: as long as he likes me, I will treat him well for the rest of my life.
This leads to the fact that as long as a girl acquiesces in her heart, she can do things easily. She would train that naughty boy like a piece of wood, and let him study hard, get into a good school, and have a good future, but when she did all this, she wouldn't let him see that she already had a soft spot for him.
And the boys at that time, their nature has not yet broken out of the body, but they think they have grasped everything, just like "Yang Kang", they want to mature, but they want to be indifferent, want to fall in love, but they can't get out of themselves. mystery. Men are not men until they understand metaphysical questions about themselves - "Who am I? Where do I come from, where do I go?".
A boy's "pursuit" is not a decision; the "decision" is made before liking, or comes with "liking". Boys' "pursuit" is action. Confession is just a prelude to action. The action here, for this male creature who is courting for the first time, even means a lifetime of the ends of the earth and the sixties and eight wastes. Therefore, they are like children wearing adult clothes, their bones and muscles are not able to support the whole suit, but they show up and down there with the steps of adults.
And what girls dedicate to "pursuit" is a brave decision. The decision was both easy and difficult. The easy thing is that this is just a sign on the courtship document presented by the boy; the difficulty is that it seems to be a self-sacrifice contract signed by oneself-although it is a cage of happiness to be invested in.
And this is the real experience of the "singleness" fairy tale in the adult world on these men and women who are just beginning to love each other. I believe this is the nostalgic mystery of youth dramas - at that time, our world was still stuck on an imaginary drawing, and this white drawing was extremely complete and real!
I think girls at that time were pure. Their purity, or simplicity, lies not in their ignorance, but in their budding maturity waiting to bloom with concentration. It’s not a focus based on hobbies; it’s a focus on emotions—a time when they take on all their emotions alone and look forward to putting the blame on that person one day.
I think the boys at that time were also pure. Their purity, or purity, lies not in their professed attitude to affection, but in their ignorance. They don't know anything at all, they don't know what they are, and they don't know what others are, so they happily promise and fulfill their impulses. They are desperate for love, and grow into themselves in this desperate for love.
What I don't understand is why this emotional comedy, which is obviously hidden in the wrong setting, always moves people?
Because we came from mistakes?
But at least in such a story, the ending is always correct: the men and women in the story always pass by each other.
Then, become a legend, your own and someone else's.
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