The first thing I saw him play in was "Senior Brother Xinzha", a big class of handsome guys and pretty girls. At that time, when I watched a movie, I only cared about whether the actors were beautiful, and didn't care about anything else. I want to judge the actors, I just think that Liang Chaowei has a pair of big eyes, but he doesn't call much. The thick black and beautiful eyebrows should have made him look good, but his brows were slightly frowning, which reduced his handsome appearance. However, he had to admit that there was a sharpness in his eyes. So, every time I hear his name in the future, I will think of the sullen look between his brows and his stubbornness.
In the eyes of the blind killer in East Evil West Poison, a strong piercing light passed through. This actor who has been dug up from the best supporting role, the accumulation of acting elite at this moment is like an eruption. It's a harbinger of thick and thin hair, but he's still an unassuming man, an entertainer who plays a supporting role as brilliantly as the lead. He has gone through emotional entanglements, and there are too many variables in life. His eyes seem to be forged, and the more they are tempered, the more profound they are. The only thing that hasn't changed is that bright smile. These features are great when used well. Wong Kar Wai is a sharp character, he knows that the deep, somber, gentle and affectionate man in "In the Mood for Love" belongs to Tony Leung. The sharpness in Liang Chaowei's eyes was gradually merged by a gentle and virtuous light. He exudes his own unique brilliance, but never steals the scenery of others. If you have a good taste of his plays, you will find that where there is no sound, there is more sound. In East Evil and West Poison, he is not as handsome as Liang Jiahui's suave, as cool as Leslie Cheung's handsome, and as gentle as Jacky Cheung. And Liang Chaowei is a silent sword, and his cold murderous aura saves deep affection for the bosom friend. He does not have the physique and vigorousness of the characters in "Heroes", and the play is still Jet Li's play. He has been used to being the second male lead for a long time, but his eyebrows and eyes are already familiar enough to be the ultimate killer who is willing to be quiet and has a great wisdom and far-sightedness. Andy Lau in "Infernal Affairs" is still magnificent. And Liang Chaowei's eyes like a deep pool under his tightly locked eyebrows already have strong penetrating power. In the dark alley, the camera cuts through his back, shoots Ye Sir's funeral car, and then shakes his face back. The man's pain overflowed from the melancholy thick eyebrows and big eyes, and everything around him sank, only Liang Chaowei's appearance was sculpted like a hero. At this time, you will think that Andy Lau is foreign wine, and Tony Leung is tea? Like tea, it is a man's timely silence, showing the vicissitudes of life.
Half of the hero of the vicissitudes of life is the product of affection, and there must be a poignant and beautiful woman beside him. It will make the murderous hero become the tenderness of the iron man. In "Heroes" in "In the Mood for Love", Maggie Cheung's icy beauty makes Tony Leung's vicissitudes feel like a frozen volcano, a kind of oppressive beauty, a kind of spiritual lingering. Liang Chaowei in life has experienced the beauty test. Zeng Huaqian, Li Meixian, Maggie Cheung, and Carina Lau are all absolute beauties, and their emotions have been tempered to produce a true man. The woman behind the successful man, Carina Lau, on the surface, does not seem to have given Tony Leung a lot of support, but instead created a lot of news for Wei Chai to bear bravely. In a series of news about his girlfriend being hurt, Tony Leung was silent but firm. Walking out, the image is very shocking. In fact, this is also the subject of life for a man, dare to face it, needless to say. At the Cannes Film Festival, Ten Fingers and Shuangmei attended, making this not tall man handsome. At the Awards Ceremony, holding his lover's hand tightly, he walked by, a man with commitment and charm.
Looking back, this artist, who has always been called Wei Zai, has made more than a dozen movies but won the gold award five times. Without the glory of the Heavenly King and Heavenly Emperor, all you will be given is a real image, but it is getting clearer and clearer.
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Recently I watched the Hong Kong film "The Great Hunt", and I felt the star product system of Hong Kong's entertainment industry. Mediocre talents like Zhang Jiahui and Donnie Yen who have no talent, after years of unremitting polishing, can finally take the lead.
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