Reflections on the Philosophical Issues Involved in Jean Renoir's Rules of the Game

Justyn 2022-03-23 09:03:15

1. Everyone is looking for the Sartre-style "perfect moment", that is, the absurd compensation for missed opportunities, fantasy romance can overcome reality, and the pursuit of the passions of the past is wiser than them, she wrote, "I don't want to be in this life. See you again, because, goodbye, it's not you anymore." This is a basic proposition of philosophy, that is, the problem of identity, that is, "how to prove that the present you and the past you are the same you". Trying to return to the old romantic time with an old lover is often worth the loss, all in vain, and even dangerous. That's what "Rules of the Game" shows: she's not the her she used to be, and he's not the he he used to be, so why bother?

2. At the end of the film, A watched B kill C, but there was no response. This is also a philosophical proposition, that is, Heidegger, Sartre and others "criticize the unauthentic": the tendency to passively conform to the crowd, do what others do, and believe what others believe, not doing their own thinking or thinking according to their own action. Such people are very dangerous, because when others are doing unreasonable or even inhuman things, in order to make themselves gregarious and not isolated, then follow the crowd. It is not difficult to explain why the Holocaust, the Nanjing Massacre, and China's magnificent 10 years.

The film, which was completed before the outbreak of World War II in 1939, was hindered by the political sensitivities of the subsequent war.

So a subtitle at the beginning of the film: This film was shot before World War II and has nothing to do with politics.

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Extended Reading
  • Delaney 2022-03-27 09:01:20

    The depth of field shots in the second half, the super-complex movements of the multifocal camera are fucking dazzling. . . Stunning.

  • Clifton 2022-03-25 09:01:20

    The 1930s were perhaps the most notable decade of Renoir's film career, after the creation of "Bitch" and "Tony" (both of which had a profound influence on the poetic realism trend and the neorealist movement, respectively), The well-known masterpiece "The Grand Mirage" was filmed, but the last - and also considered the most important - of the period, a work "Rules of the Game", which at the time seemed anachronistic, was released when France was being rolled up Entering the war, it was difficult for audiences to understand the film's tragic and joyous tone, misinterpreting the ugly declining aristocracy as "a satire and attack on the ruling class", and it was soon banned. Times have changed, and now we can talk about it more impartially, especially the dazzling party scene, "these characters travel and hide in various rooms, making or evading each other's intimacy", the most important thing is no longer the person who speaks, Rather, it was the subtle expressions and body language of the other people in the shot that Renoir took full control of that night in an almost divine way, using the vast and complex set, the profusion of camera movements, to create an extraordinary image.

The Rules of the Game quotes

  • Lisette, sa camériste: So, Mr. Octave! No hello?

    Octave: Hello, Lisette.

    [kiss on the neck]

    Octave: Fresh as a rose.

    Lisette, sa camériste: But you look awful.

  • Octave: Listen, my dear. You throw yourself around people's necks like a 12-year-old. You can do it with me. You'll always be my little Salzburg girl. But with others it can be - awkward.

    Christine de la Cheyniest: So, in Paris, you can't show a man affection without...

    Octave: No.

    Christine de la Cheyniest: No?