German victory

Alessia 2022-03-16 09:01:09

In the Soviet montage Propaganda, people are often represented as mechanical parts, and obedience to Stalinist authority often comes from a sense of inferiority in the face of giant machines. The ideological call of the Third Reich is to convert reality (not only people, but also space, various artificial symbols) into abstract symbols of erotic nature, "no one is present" in the sense of a sea of ​​people, even if it is a highlight of Hitler. Compared with the virtual empathy that socialist realism resorts to in drama films, "Triumph of the Will" attempts to awaken our passionate love for avant-garde films and the physiological response of girls to powerful forces. This "last classical avant-garde" "The film constructs any audience as a woman indiscriminately - Riefenstahl's politically coerced author consciousness, and the female gaze towards the male body will appear in the subsequent works of "Danmei" and "Otome". .

Corrine 2022-03-26 09:01:14

In reality, the more evil people are, the more beautiful they will dress themselves up. This film advocates extreme patriotism and the so-called death for the country, claiming that the Nazi Party represents the interests of the vast majority of the people, that the ultimate mission of the Nazi Party is to eliminate class differences, and Hitler's Führer is the The German people seek happiness, they are the great saviour of the Germanic nation, the ideological battle of Hitler's Fuhrer is invincible, and those who oppose the Nazis are all reactionaries with ulterior motives...