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While the film succeeded in shaping Monroe, there were glaring flaws. Because this film has a small format, to put it bluntly, it is actually a piece of Monroe's filming gossip, and the length of the film is shorter than other biopics, so the director put all the focus of the narrative on the multi-faceted Monroe, and let the other characters in the film. are affected to varying degrees. Especially the actresses played by Vivien Leigh and Judi Dench, who disappeared after their hurried appearance, made the audience feel that the director was just trying to prove that this was a biographical film, "Look, these real historical figures have appeared in my film. ", but it didn't play a role at all, such as Vivien Leigh's jealousy of Monroe, her resentment towards her husband's admiration for Monroe and her helplessness when she was no longer young, and Monroe's admiration for Vivien Leigh, an actress known for her acting skills. . Those threads that would have inspired more dramatic tension and human thinking were cut off.

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The actress played by Judi Dench took good care of Monroe on the set, and also made a private request with Monroe for her lines, and tactfully helped her solve the dilemma. I thought that this clue would continue to develop, and Judi Dench could play a role in Monroe. Inspiring spiritual mentor, I didn't expect to suddenly lose the following, reducing the possibility of more movies, which is quite disappointing. Although Oliver Lawrence, played by Kenneth Branagh, is very expressive, the film still shows little strength to his tangled psychology of longing for success but backfires. It focuses more on his love-hate relationship with Monroe. The costume assistant played by Emma Watson is even more dispensable.

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