Nobility is above a thousand feet, truth is below six feet

Mortimer 2022-11-16 17:50:08

Isn't the kind of person who doesn't blame you for worrying about you all day until you have a nervous breakdown and then finds out that you're fine, but hugs you all at once, the one who loves you the most? I had this feeling all of a sudden in the finale episode of Murder Season 1. And such a delicate plot appears in a criminal investigation film, but it doesn't seem abrupt at all. Such frequent attention to detail, and American dramas with full characters always remind me of Breaking Bad, and at first glance, it is also produced by AMC.

The American TV series that regard various industries as the meat to be cut on the chopping board has long fried the fat meat of criminal investigation to a slaughter. The detective who can solve the case in one episode, and the victims who play soy sauce one episode after another, the pattern is fixed like a home cooking. You can tell the taste just by looking at the name of the dish. At this time, the characters themselves have retreated to the background of the story and become puppets driven by the plot. Their characters, thoughts, and hobbies are not important, but how to reveal the mystery is important. This kind of criminal investigation film is similar to a magic show, and it is expected that you will be surprised when you turn into a pigeon, and the magician, isn't it a black top hat, black suit and a beautiful female assistant with exposed thighs?

Murder Intercept does the opposite. There are 11 episodes in a season, and 11 episodes are all spent on the same case. The two clues: solving the case and campaigning can have unlimited topics, but the clues must be organized like mercury. See power. Here, AMC's energy is focused on depicting the details of the characters, and such details are by no means the rich and cumbersome lace of the Gothic style, but the interaction of the muscles of the characters in Michelangelo's works. The development of the plot has contributed to the shaping of the characters. , so that blindly guessing who the murderer is has gradually been replaced by a better understanding of the protagonists' emotions.

They are the heroine Linde, and a brown sweater with a snowflake pattern can be worn for several episodes in a row, but in the first picture she is the kind of woman with a mysterious Mona Lisa expression. What is fascinating is not her beauty, but her There are stories. The kind of serious professionalism that made her lose the man she could find at her fingertips, with a rebellious youthful son who had no fixed place to live, with bitterness in her heart and nowhere to go, blamed and complained in her ears, such a woman is the **** Half the sky, so she must be a woman who can only support herself. I saw that she couldn't make it to the plane to prepare for her own wedding, and she failed her fiancé after getting into a case and couldn't pull it out. I really can't praise her for her dedication, but blame her for being irresponsible to herself. They're Constable Hodder, and I actually think he looks cool in a hoodie, it's a hip-hop style raunchy. I thought he was just a reconciler, but in the subsequent narrative, he gradually created a good person who is used to hiding his inner feelings but can understand his friends. I think this duo will have more sparks in the next season. The other side is the victim's family. After a long period of pain after a thunderbolt, they have to tell themselves to continue their life, but they can't bear to forget their hatred. This kind of blow is devastating to a family. If life has fallen into a coma , What's the use of brainwashing?

In the dark and humid weather, it was slowly revealed that there was also the subsequent collapse of reason. The parents who were anxious for Xuehen were presumed guilty and set up a lynching for the suspect. The politics in it is more than enough. These people are eager to find an outlet for themselves, and they are indifferent to the truth itself.

And the truth is like a coffin buried deep in the ground, always ugly when it sees the light of day again.

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