Forty-five minutes is too short and too fast to say that this is a movie of a movie. But we already know all the details of this story. How can only twenty pages of black and white lines require it to be grand and permanent. The production of the theatrical version can be said to be quite satisfactory, but it is not too surprising. But the quiet mountain road, the flashing large swathes of green, the streamer of the lotus pond reflecting on the roof, the rustling of the leaves, there is always something small and flowing under this moving picture. Maybe it was just a few cicadas, maybe it was just that he raised his mask-wearing face a little, and inadvertently drops of water fell down his cheeks. The reason why childhood sweethearts are too simple always makes people yearn for it. It's so sad and beautiful to tie a ribbon and hold each other's hands. Even if you can't resist the passage of time, you can choose to never forget it. When summer comes, there is no more waiting for the fox mask.
How many people would be like me. After watching the theatrical version, they rummaged through the box to read the comics, and they never dared to read the comics in the innermost frame. The boy wearing the mask on the cover and the little girl holding the hat have a kind of heartache. Midorikawa Yuki drew the thin strips of their hair so thin and slightly messy, and there was a sad shadow in the slender eyebrows. She can always be so gentle and cruel, reminding us how sweet and sour the first love feels. Little Ying cried and said, "No matter what happens, don't touch me." Ah Jin bent his brows and opened his arms and said, "Come here, Ying." So they can finally embrace each other for the last moment. Maybe this is really the most beautiful ending, just like the bubble that the little mermaid turned into, we can watch it calmly after a long, long time, that kind of thing called unforgettable.
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