On a very lonely Friday night, watching a very dark and heavy film, I admit that this choice is too masochistic.
With all the money, Ige returned to Uxbal's house after countless psychological struggles at the airport. The director only gave her character a shadow through the glass, and handled it very delicately. At that moment, her expression was relieved, and no further explanation was needed. But if I were the director, I might choose to let her leave with the money. For a stowaways like her, with her husband in prison behind her and a 1-year-old child by her side, in a place where she has nowhere to live, any choice she makes is understandable. I even doubt that she is the actor of this role. Acting in character. The director chose to use her body to give the film some light with a vague shadow and a simple "I'm back". My thoughts are really darker than his.
In the beginning, I always assumed that Biutiful was Spanish for Beautiful. However, after reading several non-committal online reviews and using Google's translation, I am more inclined to understand that Uxbal just wrote the word wrong. And to be able to come up with such an appropriate Chinese translation, the translator of "Meicuo" is an absolute master.
Mexico, speaking a language that was once dominant, neighbors one of the most powerful countries, sandwiched between the North and South American continents, such a country in the cracks has produced outstanding filmmakers whose perspectives are often Can go out of Latin America, cover the Spanish-speaking world, and penetrate into English-speaking countries. Alejandro González produces less than one movie a year on average. The most intense but also justified cultural conflict and fusion in "Barbel" is already a classic, but this does not prevent the young man born in 63 from bringing a movie Department of Classics.
Javier Badiem lost to Uncle Firth at the Oscars that year. This result is a matter of opinion. It's very difficult for the latter to play a stuttering king, and I agree that Firth's body language and small expressions are slightly better than Javier Badiem. But Javier can also be said to be impeccable in this film. This handsome and rough gentleman dared to make a 3P invitation to two unfamiliar beauties in "Vicky Cristina Barcelona". He has become prolific in the past two years. I hope that other films can try more different roles.
When watching a movie, it's easy to get caught up in the music that accompanies the picture. It is also the excellent work "Vicky Cristina Barcelona" starred by Javier, in which the guitar can definitely be called a classic. And the music in the beautiful mistake is also extremely beautiful. There is a piece of music that sounds like a rotten tape. There are irregular partitions in the notes, but it complements the picture. What a beautiful job this maestro has done.
Although it is well-deserved to win more awards, it will never get the chance to be released in the Celestial Dynasty. Migrant workers in China are the most unthinking group. As long as their basic living needs are met, and as long as the boss pays them wages, they would rather travel across the ocean, sleep in the basement in the winter of Europe, and get up at 6 o'clock every day. I'd rather do all the work the boss specifies. These 25 people who died in silence were more painful than all the pain in the movie. At the moment when the reality of the European debt crisis has been revealed to be flawless, except for Britain, France and Germany, it seems that the whole of Europe has fallen from the paradise of politics, economy and people's livelihood culture to the mortal world in an instant. In a film like this, about the local marginalized people living in Barcelona, and the black African and Chinese stowaways spread all over the world, it seems that only God can sometimes make some beautiful mistakes. It is a trivial matter for God and his old people, but for the farts who live in every crevice and edge of the earth, it is a life-long agony.
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