Later, with the development of the film, I slowly changed the viewing angle and shifted to my father sadrik, his conversation with his "intellectual" friends, and his discussion with his father, we will gradually understand that for this family For example, this person used to be a bit rebellious. He bravely pursued his own life, followed his own choices, and never regretted it. Your child has a home and a room. Is sadrik a typical representative of Turkish intellectuals? Through him, he can get a glimpse of the fate of the intellectuals in Turkey, who are constrained by their families and want to understand the outside world and contribute to the country, but the country never seems to care about them. In the face of some powerful powers, they will be persecuted as journalists, and the harsh environment will make them leave the world prematurely. The people in the countryside live a peaceful and stable life, they have their own manor, and they indulge in the joy brought by their daily trifles, which is "Turkish happiness". They know that they can live a prosperous life through "slave" relatives, and then expect their descendants to inherit it.
One of the shortcomings of the film is that the music is rendered too much, and it is even a bit sensational. Personally, I prefer the music in the natural environment, rather than the post-synthesis. The added music can easily control the mood of the audience and the effect of watching the movie. We are automatically led away by music. If only the music in the scene is kept, the film will be more natural and earthy.
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