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logic
Zelma 2022-03-23 09:03:12
A good movie is always memorable. But the difference between the screenwriter's logical ability and the mastery and use of gimmicks is that a wonderful film can make people figure out what happened without any flaws; a weaker film may make people puzzled and finally torture themselves. Gotta hit the wall. This movie should be in the latter category—the writers wanted to find some scary traces, like the blurry old woman in the photo. In fact, this woman doesn't exist at all, everything comes from MARY's brain... But some small foreshadowings make it impossible for the audience to guess, this is simply an unsolvable problem. Therefore, showing off your cleverness and setting up some small foreshadowings will cause logical confusion and reduce the quality of the film.
Extended Reading
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Hester 2022-03-14 14:12:28
A call from time to time, every turn of the plot is so blunt, such as the shadows on every photo in childhood and why the old woman can finally appear across time and space with a machete, etc., are all big bugs in the plot, just shit No, the suspense of the drama is even more shocking because of the shit. The idea in the film that changing the past of childhood can directly change the present is not quite satisfactory. ★★
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Samson 2022-03-18 09:01:07
Telling the other party his full name for the first time can be considered careless, and telling the full name of his boyfriend the second time can only be said that the screenwriter is too deliberate. Why doesn't ps say that her ex-husband's name is her boyfriend's name. Moreover, it can be said that the wrong person was found at the rate of the same name of the passerby.
