The shrinking space in the main scene of the movie is quite creative, but in the end the movie is always focused on local parts. Without a larger-scale description, it can only make people feel dazzled. It was forcibly squeezed out. After all, cognitive resources and sensory experience are really limited per unit of time.
From the very first question, I was extremely disappointed. Isn't the murderer trying to test their IQ? Why did you end up with such a problem that is limited to Weibo level? Well, if it is for the IQ of the audience, I have nothing to say. But since in order not to make the film's Mandarin difficult to understand, why do you have to get a mathematician with a high IQ and a high level to set up the characters?
Of course, it doesn't mean that these topics are not difficult in themselves, and you really need to think about them, but it is still difficult for me to align the level of these problems with the IQs of the characters in this movie and the IQ level that this movie wants to achieve. stand up.
There is also a question about the death of the "Ferma":
Doubt 1: Was his daughter killed by a crash?
Doubt 2: He can't answer the phone while driving, but why doesn't he stop to answer the phone? Why didn't he ask the police to answer the phone for him - after all, it should be an emergency after making several calls in a row? Wouldn't he be worried that it was his daughter's problem?
Doubt 3: Doesn't the poison gas work in two minutes? How did it work when he walked 60 kilometers and walked back?
Maybe it’s because the hope is bigger. This movie has a good direction at the beginning, but it doesn’t go far enough. A good screenwriter is very important. For movies...
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