Carnivore fans say goodbye to herbivorous masters

Suzanne 2022-04-03 09:01:12

As the top of the most extensive food chain, human beings naturally have a unique self-destruction constitution to balance the natural ecology: we naturally like food that is harmful to our own health - children all over the world, regardless of race or gender, prefer sweet and cold snacks with rotten teeth, calcium erosion of carbonated drinks, high-heat fryers. After acquired training, some people can restrain or even further forget the fun of this self-torture.

It's a pity that it is only a small part of the people, and health experts who advocate vegetarian longevity are heartbroken. Fortunately, only a small minority of people who still love ice cream, chocolate and red meat raised their arms and cheered.

Ordinary viewers who don't know the truth, if they mistakenly enter the "master" who was sealed last year or An Zhe, who passed away not long ago, the diners who have been hungry for three days will be led into a vegetarian menu with only low-salt lettuce salad and green tofu. The store - even artificial organic protein does not provide yo, dear! No matter what kind of nutritional matching or taste principle those small groups of people use, "This is actually very delicious, dear. You will get used to it after eating it a few times, and you will be able to appreciate the deliciousness." My sister raised her brows and kicked the chair almost every time. If you want my sister to eat these things, what fun is there in life, why don't you just jump into the sea!

Before buying a book, we can read the whole book in the bookstore. Before buying a CD, we can listen to the fragment of each song in the audio-visual store. Before going to the museum, we can browse the exhibits on the Internet or in the catalogue, even if it is a concert, sports competition, stage play, etc. At the very least, audiences can boo and humiliate performers to compensate for the money and time they lost on uninteresting performances. For TV, a few cable stations only charge a little for the whole year, and there are a variety of programs. Only moviegoers are the most vulnerable and have no power to fight back. Even if there is some dissatisfaction on the Internet, there are various Virgin Marys jumping out and crying.

So my sister thought it was my "atypical film critic" (calling it "atypical" because she thought she was not , I don’t make a living from it, but in the definition of some classmates, my sister is also considered a marginal person), one is to make the fare and time wasted by our generation somewhat meaningful, and the other is to watch the movie industry. The crooked wind that is designed to go against nature as beauty needs to be topped.

As a southerner who grew up with light Jiangsu and Zhejiang cuisine, my sister went to Sichuan and made red pot every day, and went north every day to drink and meat, all of which were delicious, and she believed that her tolerance for food was already high among ordinary people.
Although it took a few tries to read "The Man from London" under the circumstances of the right place and the right place, it was still a little fun after that - after a few days, my sister can still be in my mind from beginning to end. Playing this movie, how the long shot moves and what angle, how the shots are connected to each other, and which scene is composed and which is not, all are clear and clear. You can even freeze the frame at will, and cut out this frame of the picture from memory, and the light and shadow are vivid. It is also in line with the "minimalist" aesthetic, and the lines presented are indeed simple, but the thinking and preparation after each line can still be interesting.
So my sister often thinks too much of herself, thinking she can swallow anything. It is obvious that there is a blacklist in mind, sometimes out of curiosity, sometimes because of the schedule, sometimes inspired by a certain film, and have a great misunderstanding of my own tastes - for example, this time it is from "London". I got the fun of the logic of the picture in "Man", but I don't remember the pain that life was worse than death when I watched "Satan's Tango", but I was excited to try my best to arrange time to watch this closed mountain work.

It doesn't even have the clean clarity of "Ren". Sister has another masochistic tendency, that is, no matter how boring it is, as long as it is above the bottom line that can be sustained, she will insist on reading it. If I was really distracted, I counted around to see how many viewers had fallen asleep, and then scored the number of times I counted and the number of viewers who fell asleep. In an art theater like Le Clef, it can sway the famous French audience who made a special trip. If you have not seen this power and are curious students, you can try it out.

The story begins with the legend of Nietzsche's madness. It is said that when Nietzsche was out for a walk one day, he saw a farmer beside the road whipping a horse that refused to move forward. He went up and hugged the horse. Called "My hard-working brother" (or something like that), and when he went back, he said the famous saying "Mom, I think I'm crazy." After that, Nietzsche's life was widely circulated on the rivers and lakes anyway, but what happened to the fate of that horse... Well, this is still somewhat suspenseful.

Then the long tower mirror fell within the tolerance range because of psychological preparation. From the horse's appearance, to the cut to the groom, to the distant view, to move the horse into the thick fog (according to the traditional tower style, the fog is the sign of "the story begins", separating the boundary between reality and the isolated world), the carriage stops Before arriving at the farmhouse, the daughter came out to help unload the harness. The camera then followed her daughter into the stable, and then transferred to the farmer's cart to enter. The relationship between the characters and the environment in this section still has a sense of clarity in "Lun", and my sister thinks that she can finally Appreciate the "master" there is wood.

After that, there must be a cup and there is wood! ! ! In other art worlds, such as classical music, Mozart's works may not be pleasing to everyone, but at least most people will not give birth to the spectrum of "Is this written by aliens from the humpback whale?" The sense of dissonance, even if it is not braised pork and fried shrimp, at least it is steamed fish and boiled shrimp. And "Pierre in the Moonlight" undoubtedly requires the audience to learn some low-frequency cetacean language before they can match the number. But few classical music fans call Schoenberg a "master" than Mozart -- on the grounds that the former is more incomprehensible and more contrary to the natural hearing of human beings. Not many people in the painting world dare to say that a certain postmodernist painter surpasses Leonardo da Vinci. But in the field of literary films, being praised as a master is often marked by the fun of watching movies that kills ordinary audiences!

God created the world in six days (and rested decisively on the seventh), and Tarr destroyed the world in six days—and all of my sister's interest in the "Masters". More than two hours! Sister kept thinking - why should I watch this movie for Mao? why? ! Is all this for Mao? ! Is it for hair? ! !

Okay.
The plot of the father dressing and changing with the help of his daughter every day is compared to the scene of his daughter riding a horse, comparing people to livestock. On the first night, the empty birdcage in the room was illuminated, the silence of insects was revealed, and the world created by God in six days was successively erased in the following days.
The farmer and his daughter drink wine every morning, which is the Holy Spirit.
The bald man who came down from the mountain came to sell wine, and the man brought a crutch - there is a verse in the Bible that teaches people not to take crutches when going out, and religion is also called "the crutch of the soul" (not to mention the bald man said that A prophecy of destruction in the style of Zarathustra).
They came down from the mountain again and believed in the gypsies who changed according to the place they lived. They were wearing two white horses. One interpretation of the white horses is "Antichrist", saying that the farmer's daughter has "devil's eyes", and clamoring for "the land and the The water is ours", leaving the farmer's daughter a new round of prophecy of the destruction of the world: "The holy land is defiled, and the light will surely perish."
The next day their only source of water dried up.
The farmer plans to move, and the daughter takes out her mother's photo - there is only one horse in the story, a widower with a disabled left hand and his only daughter, Adam and Eve unable to reproduce, even the pair of animals that Noah could take on the ark. No, it is the extinction of mankind. The peasant father and daughter who circled outside and came back from the mountain became the last prophecy of extinction.
The strong wind outside is the power to destroy the world (the bald man claims that the town has been blown down by the wind). The sun disappears. The wind was also calm. The only remaining light source is fire. Zarathustra is the prophet of Zoroastrianism, and Zoroastrianism is the earliest dualistic creation religion, so when the fire is extinguished (so the father and daughter can only eat raw food in the end), the world will no longer be good and evil, and return to chaos.

In two hours, I had to mobilize all kinds of memory banks to know what it was talking about. How interesting is this kind of thing! ! ! The advantage of Master Tarr is probably that the OSTs are always beautiful (although there are only two or three of them, the big/double bass refers to people, and the pipe organ refers to faith), and the picture is always very textured. And the lens is really very economical, the same angle will not be used for repeated scenes (otherwise the sister really leaves the scene), and the lens never moves back and forth on the track, if a medium shot is fixed there, and When the characters move out of the camera, the audience will know that the characters will come back and will continue to move forward in the direction of returning and events will occur. This minimalism without meaningless editing and unnecessary movement is still aesthetically pleasing. That's all there is to it.

Others, as a carnivore at heart, sister said that she could not eat the delicious taste of stuffed teeth. This is just to commemorate the master who used to be speechless with his sister for more than ten hours. If the world is full of dishes like yours, my sister will definitely go crazy. But if there's never been a dish like yours, the audience's plate isn't diverse and unhealthy enough -- maybe...

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Extended Reading

The Turin Horse quotes

  • Narrator: In Turin on the 3rd of January 1889, Friedrich Nietzsche steps out of the doorway of number six, Via Carlo Albert, perhaps to take a stroll, perhaps to go by the post office to collect his mail. Not far from him, the driver of a hansome cab is having trouble with a stubborn horse. Despite all his urging, the horse refuses to move, whereupon the driver - Giuseppe? Carlo? Ettore? - loses his patience and takes his whip to it. Nietzsche comes up to the throng and puts an end to the brutal scene caused by the driver, by this time foaming at the mouth with rage. For the solidly built and full-moustached gentleman suddenly jumps up to the cab and throws his arms around the horse's neck, sobbing. His landlord takes him home, he lies motionless and silent for two days on a divan until he mutters the obligatory last words "Mutter, ich bin dumm!" and lives for another ten years, silent and demented, under the care of his mother and sisters. We do not know what happened to the horse.

  • Bernhard: Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course God has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost forever, and those many nobles, great and excellent just stood there, if I can put it that way; they stopped at this point and had to understand and had to accept that there is neither God nor gods, and the excellent, the great and the noble had to understand and accept this right from the beginning, but, of course, they were quite incapable of understanding it, they believed it and accepted it but they didn't understand it; they just stood there, bewildered but not resigned until something, that flash on the mind, finally enlightened them, and all at once they realized that there is neither God nor gods; all at once they saw that there is neither good nor bad; then they saw and understood that if this was so then they themselves did not exist either; you see, I reckon this may have been the moment when we can say that they were extinguished, they burnt out; extinguished and burnt out like the fire left to smolder in the meadow; one was the constant loser, the other was the constant victor; defeat, victory, defeat, victory; and one day, here in the neighborhood I had to realize and I did realize that I was mistaken, I was truly mistaken when I thought that there had never been and could never be any kind of change here on earth; because, believe me, I know now that this change has indeed taken place.