Keep walking, and let your parents hold the corners of your clothes

Annamae 2022-03-24 09:03:22

Maybe it was really half a beat. When the end credits were halfway through, I looked at the sea in Yokohama, and I started to cry. In my mind, my parents are looking forward to their return home.
The soundtrack of the movie is very emotional. There are not many guitar tunes, just like the rhythm of the movie. It seems plain, but it hits the heart with the plot.
Japanese movies are good at such family films, slow and delicate, natural lines, homely and ordinary scenes, in fact, even the placement of a towel has been carefully designed. I saw Ozu's shadow again. I have seen many Ozu movies, but I have never cried. This is the first time I watched a film directed by Hirokazu Kore-eda, and I was deeply moved.
This film focuses more on sublimating the whole family relationship by describing the feelings between father and son. Amid the mother's rambles and hectic two days of family reunion, three scenes of father and son being alone are elicited.
The first time was when I talked to my father about work after dinner.
The second time was a small chat with Jun Dao and his stepson in the shower.
The third time is to go to the beach with many, father and Chun together. And this third time was a reconciliation between the two father-son relationships.
Speaking of the yellow butterfly, it runs from the middle of the film to the end. It was a butterfly that was inadvertently returning from the tomb sweeping, and it was also played up by the director seemingly inadvertently, especially when the old mother was chasing the butterfly in the house and said that the deceased son Chunping came back. The fragment that falls on the butterfly is very touching.
What made my tear ducts collapse was because of the last lines. Many of them didn't fulfill their little wishes until my parents passed away three years later. Ending the whole film with such regrets also allows the audience to reflect on their own views on the family.
I have not been to Japan, but from the information disclosed in the film, Tokyo to Yokohama, which is 7 stops. Many people even go home once a year.
In fact, home is the warmest place in our small world.
We can love the lover around us to the point where we lose our souls, but we can easily fall out with our parents.
If the generation gap can explain everything, then the deep love in the hearts of parents that I don’t know how to express can overturn all these explanations.
Movies can leave regrets. In reality, as children, don't leave regrets for parents. Because we don't know if this life is over.

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Extended Reading
  • Theodore 2022-03-14 14:12:27

    9.5; reconciliation is always one step slower

  • Mara 2022-04-24 07:01:22

    2016.2.2+2018.8.9 Review. After a man who can't get married gets married, what's the difference between half a beat and a slow beat? The deep grievances between family and relatives can't be reconciled until death, bereavement of father, son, husband and brother, it's cruel enough, CC tidbits said , Shizhi wanted to make this film because of the death of his mother, and making this film allowed him to let go of the grief of his mother's death, regain the memory of living with his mother, and re-feel the loss of her. He made this film with a heavy heart, adapted from his own experience , the role of the mother is exactly the same as his mother. Many dialogues have happened in real life. If it was filmed now, the ending would be different. The voiceover is redundant. The song "Yokohama with Blue Lights" is deeper than the sea, so casual,

Still Walking quotes

  • Yukari Yokoyama: Even when they die, people don't really go away. Your father's here, right inside you.

  • Kyohei Yokoyama: That useless piece of trash. Why'd my son have to save him? There were plenty of others.

    Ryota Yokoyama: Please don't call him useless and trash in front of the kids.