However, it is still a bad movie, and Luc Besson's continued slump is very worrying. Although this time it is a screenwriter, the shadow of humanities is still unknown, and the fineness of business is also far away. Louis Leterrier is still a piece of shit, and the more he shoots the more he proves it. Only Master Yuan Heping's evaluation made me hesitant: let's say it sucks this time, the mad dog punch he designed is actually in line with the plot. Saying he's okay, Lee's dance-grade violence aesthetic is gone.
Morgan Freeman's performance, as long as there is no fault, is already a failure. Jet Li's performance is still at the level of cross talk. Li Lianjie himself said: "I have always wanted to make some special, never-before-made films. I once expressed to Luke Besson that I hope to find another way in the film, let the action serve the story in the film, and at the same time convey a message : Violence is not the solution. He liked my idea and showed me the script for Danny the Wolf a few days later: a boy raised as a fighting falcon, then brought up by music I was rescued. I said 'OK, this is indeed a challenge, I took it'."
Stunned~~ What kind of challenge is this? ? ? ? ? The script was given a few days later. It can be seen that this script may have been written in a few days: (
Looking at the scores given by foreigners, it seems to be still very high. But my heart has already flown to "Huo Yuanjia" half a year later, there Jet Li, should be an unparalleled hero, and should live forever in chivalry~~~
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