The reason why it is called "Another" is because I just watched Nicolas Cage and Nicole Kidman's Trespass not long ago. The law of the male protagonist's immortality, isn't it? Cage is the male protagonist, and Cage is a good guy, so in the end it must be the robbers, and the whole gang is killed, come one to kill one, two to kill one pair. Anyway, I don't want to show the spiritual aspect of the robbers, so how do they die?
Transit's idea is also not very innovative: four ruthless robbers rob the ATM car -> mix the money in the luggage of the male protagonist's family to avoid police investigation -> various pursuits and abuses of the male protagonist, as well as criminal groups Internal differentiation -> In the ultimate pk, the male protagonist KO bandit leader -> happy ending.
Then why do you need to look at this big cliché?
The reasons are as follows
1. Watch JC uncle play loser. He's played Jesus Christ, the Count of Monte Cristo, a secret agent, a policeman, a homeless man. In Transit, he is just an ordinary real estate agent who has just been released on bail for fraud. The eldest son despised him, and his wife did not trust him. The family was torn apart emotionally. With tears in his eyes and a little stubble, JC, who begged the police, looked quite credible. But after cutting off his finger, the bloody drag racing and the final hand-to-hand fight made me deeply doubt whether I was watching the POI field version on the wrong TV station. Of course, you can also say that this is a father's instinct to protect the family.
2. The internal division of the robbers. The black buddies refused to accept the little boss and made noises along the way. When the little boss's girlfriend was beaten and overturned, the gang became more and more dragged down. Xiao Hei said, you can't rely on your horse now, you still have to ask me. The little boss couldn't help but beat Xiao Hei and his dog's legs, and pointed a gun at his head. So the robber's girlfriend and classmate faced Liang Xiaoqiang with a complacent attitude, and the bandit leader's boyfriend shot her brain out. The frightened two Xiaoqiang were stunned. Of course, I shivered a bit while watching the movie. I have to admire that my buddy was born to be a robber.
3. The scene where the wedding ring is retrieved at the end. Like Trespass, transit is about a couple in midlife crisis and their child. The theme of the film is to show how a family that was about to fall apart is reunited after many waves of torture. The reason why Transit is not as vulgar as Trespass is because at the end of the movie, only a scene of picking up a lost wedding ring is used to let the audience experience it for themselves, instead of watching a bunch of people cry and grab the ground.
4. I would say that JC couple, at least they look more reliable than Nicolas Cage and Nicole Kidman. The latter gives people the lingering impression of an arms dealer/nervous + dancing girl/nervous. Such parents are definitely not the victims of robbery, are they?
In short, this film is both watchable and cliché. Although it is not amazing, at least I can't help scolding like watching Trespass, kao, isn't this a waste of time.
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