"Inception" touches on human nature, which is the so-called "micro" research; "Three Silly" touches on social education and some social phenomena; "Let the Bullets Fly" talks about social masses and social systems; 2" encounters one of the most sensitive topics: social politics.
This is not an ordinary topic, just as there is an argument in "Dead Poets Society" to evaluate a work of art, it depends on two aspects: one is whether his values are deep enough, and the other is how artistic he is reproduce this value. I won't talk about the second, but only on the first. It involves social and political phenomena so nakedly, criticizes "orthodoxy" so sharply, and mocks "them" so smartly and shyly. It has to be convincing.
At the end of the film, he said: The ending of this is to change the head for the arm. You can use "the old don't go, the new doesn't come" to describe it, The System, this thing you can't touch but can't help but lose it , huh, maybe it's like how to solve the contradiction between money and commodities in my review of "Political Economy" in the daytime: it does not exist in circulation, but it cannot leave circulation.
It's been a long time since I saw such a good movie, a new generation of national quintessence-level movies, but the Brazilian authorities actually made him the box office champion.
But in any case, where there are people, there is economy, where there is economy, there is politics, and where there is politics, there is The System. No matter what, you can't get rid of it, just like you can't get rid of the bacteria in your large intestine. They have advantages and disadvantages.
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