January 5, 2012
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"Picture Thinking"
Westley 2022-03-24 09:03:22
Makoto Shinkai's perception and attainment of the beauty of light and shadow in animation pictures has reached a pinnacle. The result of excessive pursuit of the picture is the neglect of things outside the picture - especially the story and the characters. The story of "Children Chasing the Stars" seems to be similar. Every character in the story is like a marionette, behind and in front of them is nothing but beautiful scenery. Although the setting such as the gods of another world is a little new, it only starts to exert force in the second half of the animation. The heroine's feelings for Shun are not credible, and her sudden transformation into a sunshine girl at the end of the animation also makes people feel awkward because the story jumps too much. Aliens can hide in the shadows, water that can make people breathe, the above-ground organization to track down the underground world, the scenery of another world, and why Shun came to the above-ground world, etc. The plot elements that could have been unfolded with great fanfare are all in the hands of Xin Haicheng. pass by. The whole animation has no flash except for some landscape wallpapers that can be used as computer desktops.
January 5, 2012
January 5, 2012
Extended Reading
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Quinn 2022-03-28 09:01:11
The style of painting is still delicate and beautiful, but unfortunately the plot this time is pure and not pure, and it is profound and a bit ridiculous... It's embarrassing...
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Stuart 2022-03-19 09:01:08
It was Ghibli when it moved, and Makoto Shinkai when he calmed down a lot of monologues...Because it’s not like looking at someone looking forward to it, and the length of the story is guaranteed, but it makes people feel like Shinkai. Makoto is starting to tell stories instead of just selling literary styles, and the radical editing and mirroring are far from the animations produced by ordinary animators, and they are more like filmmakers. Although the overall feeling is like traveling from the 1980s.
Children Who Chase Lost Voices quotes
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Shun: Now at this point the fear is almost unbearable, but at the same time there's an equally powerful happiness.