film actually has depth, not outward but inward psychological depth, maybe it is not an
exaggeration . Fancy, the complexities of the Shutter Island are pure psychological expressions that deeply penetrate into the hearts of every viewer who has experienced similar emotional experiences, and the memories, especially the memories of lost lovers, lovers, and family members, who has never had it? When you find that all this is just a "ghost" or the hallucination of the protagonist, you can't help but start thinking about recalling every scene and every line of the film, why the hero can conjure up these illusory plots. In fact, it is a strong portrayal of inner emotions and memories,
which impresses me. Profound films basically make a fuss about memories (or lost forever). For example, the last dream of Titanic, the killer is not too cold, and the layers of memories elevator in the last potted flower in the dream Memories to show the protagonist struggling with the mental torture of the past and the reality and the strong yearning for his wife and children. I believe you must be as reluctant as the male protagonist in the final staircase scene. At this time, you have fully integrated into the plot and emotions arranged by the director. Isn't it a good movie?
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