the manifesto is literally a mix of extreme versions of neorealism and new wave, plus some Nordic paranoia and coolness...anyway, some The legal disguise of a bad movie, and the strange pursuit of someone who knows the movie extremely well.
Personally, I don't quite agree with this declaration~~
This "Idiot" makes people both happy and hateful. This film really uses a kind of sharp knife to slash the society, showing a bloody and vivid section. In the movie, all kinds of costumes are ignored and it is completed like this, which makes people think, how can it be regarded as a movie? Why not? In view of Lars Fong's fame ~ well, so what!
The feeling this movie gives me is the combination of subject matter and form~~ This kind of subject matter and such form present this kind of freshness. Do you want to change such a theme to Hollywood craftsmanship, what would it be like? Will there still be such power? It's an interesting idea~~it'll be fun to think about.
Conversely, is it feasible to present a different type of story in this way? For example, "Jane Eyre" or "Blue Bridge of Soul Broken"... How would it feel?
Suddenly I thought: If this method is used to shoot "Cleopatra" or "General Patton"...It's fun, fun...
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