I like Giselle's frankness. Like an unrestrained wild horse, it can lift its front hooves and roar proudly wherever it goes. She was a forerunner of her era, an amorous side of the modern American woman. Kathryn Watson is avant-garde, Gisele is also forward-looking. I remember Gisele said in front of the mirror, "Do I look like her? Catherine Watson." Gisele's dress, bare waist and back, are undoubtedly provoking the marriage concept and values of that era. Catherine represents an authority, a leader who can influence a group of people, while Gisele, she is an ordinary person, without the influence of art, but the family has given her enough to change her own ideas.
The avant-garde of an artist comes from his own cultivation and his unadorned essence. When you meet someone, you can understand the story of the artist and the feelings of the artist inside and outside the painting. When you meet the right person, in the right era, what's wrong with carrion being art?
Looking at the woman in the movie, she has to revolve around a man. So sad. What was the status of women in that era in China? Look around, the women around me are still bound by that tradition. Is marriage the beginning of happiness or the end of freedom?
Don't let marriage tie our minds, don't make men the center of the world.
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