A very interesting topic is whether the film was shot in Fellini's hometown of Limini. It is said that it was taken out of the scene, but the Roman sister I met did say that this was taken by Teacher Fei when he returned to his hometown. This is to be verified. However, according to Teacher Fei's style, perhaps the hometown that is built can provide better memories.
Various elements of Mr. Fei's film can be found in the film. Carnival crowds, such as the opening witch-burning ceremony; teenagers loitering on the streets, prostitutes (sometimes goddess-like), religious, and even some kind of apocalypse.
There is a lawyer in the film who always plays the role of introduction. It looks like Fellini, who has returned, is reminiscing about the past, but the funny temperament of this person makes me unable to say that he is connected with Teacher Fei. In addition, just as the trash can on the set of "Joker" flew out and covered Mr. Fei's head, there are similar scenes in this film. For example, young swingers like Fellini constantly interfere with the lawyer's narration of his hometown. It feels like an interspersed triple space of youth, returning home, and the audience in front of the screen. Especially near the end, there is a soundtrack. A question from Teacher Yinxiang echoed in my mind: "Where does the music come from?" It was originally a soundtrack that was obviously only heard by the audience, but the people in the film danced in the square with the music, and the film did not No music source, very strange.
As for who Mr. Fei is in the film, I spent half an hour reflecting that it was Tita, but many people commented that maybe the other fat guy was Mr. Fei himself. But in terms of women's sexual enlightenment and some fragments of parental relationships, it is natural that Tita is more suitable. Tita is very interesting when it comes to referring to Swingers as an intertextual text. At the end of the film, the goddess Tita was infatuated with when she was young is finally getting married and leaving. After the people in the town blessed her, someone suddenly remembered to ask, why didn't Tita come to take a group photo. Someone replied that Tita had already left. And the end of the swinger, it is "Fellini" who leaves his hometown to go to Rome. In addition, the moment of revelation in this film should probably be "Tita goes to the loving mother".
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