Humanity Winter Feminine Light

Roberta 2022-03-23 09:01:48

The winter in the Ozarks, Missouri, USA is full of Nordic scents under Debra Grannick's mirror, like a Finnish town that can be seen everywhere, with a cold and lonely atmosphere, a dark and cold landscape, and an open field deep in the jungle. There is a simple but elegant red-roofed chalet with an arc-shaped trampoline for children to play next to. Mr. Squirrel, who is not afraid of people, is looking for materials to build a nest. There may be a farm nearby, with a few tall horses. A skinny burgundy steed... Yet Winter's Bone is anything but a romantic Nordic fairy tale. The 17-year-old Ree bears the heavy burden of life alone, the scarce supplies, the younger siblings who are in need, the mother who has a mental breakdown and muttering to herself all day, and the absent father not only cannot protect Ree, but is about to bring disaster to the family. The blow: The father, a drug dealer, mortgaged the old house as bail money. If he couldn't appear in court within the specified date, the old house that Ree's family depended on for survival would be confiscated. In order to preserve the last shreds of dignity in the family, Ree embarks on a journey to find his father...
Grannick places Ree in the prospect of the "Ozarks Mountains" famous for the family's clan-style drug dealers, which means Ree Not only have to contend with the cold and huge "drug network", but also face the family test of "blood is thicker than water". In the wild land, Ree's fate is decided by countless pairs of hands. Neither her father's brother "Teardrop", partner Arthur Jr. or various cousins ​​could give the answer Ree wanted. When threats, deception and violence ensued, the only thing Ree could be sure of was her father. have been killed. "Live to see people, die to see corpses" has become the only belief that Ree insists on.
The whole film takes Ree's perspective as the main line, and the father's whereabouts and death are the hidden lines of the story, which have been driving the development of the plot. The feminist film Grannick sees from Ree's perspective arranges every family in each family. The female characters who come forward, either act as umbrellas, followers or accomplices or even thugs for the male characters hidden in the background. In the end, the outburst of compassion and the help in everyday life are all done by female characters, and the male is either absent (Ree's father) or incompetent (Ree's uncle teardrop knows the truth of his father's murder and tries to hide it, and even Intimidate Ree to stop the search, and with Ree's unstoppable persistence, complete the self-salvation of silence - protection - counterattack, Ree as a woman is the source of redemption) or indifference (Ree asked a married old friend to borrow a truck to find his father , the friend's husband indifferently refused. Afterwards, the friend stole the car to help Ree, women are more sympathetic) or weak (Ree's brother tried to protect his sister and was reprimanded and silenced, no one could protect the weak Ree) , Going back to Ree herself, she never played a sympathetic and weak role in the whole incident. She was looking for her father loudly rather than begging them to give her father's whereabouts. The camera always kept a distance from the characters and alienated the audience from the heroine. The substituting psychological identity, in terms of characterization and plot development, avoids placing Ree in a position of sympathy. She just calmly faces fate and is always ready to fight back. Ree's weakness has never been shown in front of male characters. She spat on her cousin who was trying to deceive her father's death. In front of the police officer, she promised to find her father. Only in front of her mother, she begged her to help her once. , just this time. The truth that the patriarchal world is trying to cover up: they hate her father for whistleblowing to the police officer, and killing him is just "I don't care how my father died, who killed him, what happened, I just want to keep our house." Between the lives lost and the ones to live on, the strong Ree chose the latter.
The environmental background of "Winter", as an indifferent "bystander", witnessed Ree struggling to find his father in the wasteland, which not only gave Ree the cold body, but also made her feel the piercing ice of human feelings, and the long-term poverty life gave birth to The sins of the Ozarks dormant in the seemingly peaceful days in the mountains of the Ozarks, the savage landscape of winter, the barrenness of the land, the uncivilized more than the land? Fortunately, the warm winter sun shines on Ree's resolute face, and she wants to take her father "home" in her own way.
With the help of many female relatives, Ree found his father's corpse in the icy river, and endured the grief in his heart to saw off his father's hands. ——You must cut off her father's "hands" so that Ree can survive, and she must lose the protection of the male world before women can be born again. In the wild and rough southern countryside of the United States, the winter of humanity can never cover the radiant light of women.

Note: "Winter's Bone" won the American Independent Film Award in 2010, the Sundance Film Festival, the Berlin Film Festival, etc. Various awards, actress Jennifer Lawrence has won a number of film festivals. Another realistic rural film by Debra Granick. (This article was published on the sixth edition of Yizhuang News on November 11)

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Extended Reading

Winter's Bone quotes

  • Gail: [after asking her husband to let her use his truck] He said no.

    Ree: Did you tell him I'd spring for gas?

    Gail: I told him. He still won't.

    Ree: Why not?

    Gail: He never says why not to me, Ree, he just says no.

    Ree: Man, it's so sad to hear you say he won't let you do somethin' and then you *don't* do it.

    Gail: It's different once you're married.

    Ree: It really must be. 'Cause you ain't never used to eat no shit.

  • Ree: He might be hangin' around with Little Arthur and them. You think?

    Teardrop: You don't wanna go around Little Arthur's askin' them people about anything they ain't offered to talk about. That's a real good way to end up et by hogs... or wishin' you was.