Big Dipper Fist, Reivew on Ninja Assassin

The scene in "Ninja Assassin" with broken hands, broken legs, body and head, although it was refreshing for me, it was a mental ordeal for B. When I was young, I loved violent comics in which the protagonist could not be beaten to death, such as Beidou Shenquan or Saint Seiya. The whole body was bleeding like a column, and he could still advance to the reckless hero to save the beauty. This film can be said to have successfully grasped the essence of Japanese comics, so that he was excited. In addition, I completely forgot that the protagonist is Korean (Rain has an excellent body and is from the same idol group, can the Tigers learn it? Don’t play backflips), the director is American (without this pair of brothers, there is no hacker mission, and a new era of film history is missing), but the subject matter is Japan's national treasure - ninja, I wonder how Japanese audiences feel? (I don't want to see Martin Scorsese coming to teach drunk boxing, and also looking for the boxing tyrant, the Thai stubborn man, Tony, to take the power of Wong Fei-hung.) But because the end of the battle was really bad, in the end, when the protagonist was covered in blood (he was hit by a boxing knife, hit a car, hit a car, etc.) from the fire house, when he took out the fainted black girl, he was full of imagination. With its low octave magnetic voice, Starry Sky is full of affection and sorrow, like a big river going eastward and shouting: Yulia~~

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