"The Wildcats," a Western to perfection

Muhammad 2022-03-23 09:02:39

It's a western at perfection.

Rigorous structure. The shots are soothing, smooth and atmospheric. The characters are vivid and full.

The homesteaders and their husbands represent the most kind, brave and industrious part of the American people, which is the foundation of the United States.

The little boy Joey is America's future and hope. As Sean said, Joey will grow up to be a strong and straight man.

Sean represents civil justice, and entrusts the people of that country with the eternal worship of chivalry or chivalry in the depths of human nature.

If there is any ambiguity, it can be said to be glamorous but not obscene. It stopped abruptly with Sean's departure, and there was a lingering fragrance in my heart.

Joey's "Shane, come back" line at the end of the credits is meaningful.

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Extended Reading
  • Oliver 2022-03-26 09:01:09

    American Westerns should be starting to go downhill at this point. The background of the film is also at the end of the cowboy era, from nomadic wasteland to settled farming, trying to put down the gun in his hand. Soothing shots and music are common features of postwar cinema

  • Elissa 2022-03-18 09:01:05

    Judging from the genre inventory of westerns, one can understand the flaws pointed out by some comments, especially the Shaun portrayed by Alan Lard, who is so clean that he is not like a Western Ranger but more like an urban male puppet, and lacks a match with the plot description. The physique and convincing power: he punched Ben Johnson, who was half his head, out of the house with one punch. From the point of view of type variables, this film is indeed unique. The ambiguity between the child's perspective and his mother is generally mentioned, and Van Hevelin's father is obviously ignored. Stevens spent a considerable amount of space to show the self-cultivation farmer's belief and courage not to lose or even surpass the Western Ranger. Certain key bridges were intentionally placed in the center of the frame through framing and space-occupying, squeezing Sean to the edge of the frame. Even the entire group of self-cultivating farmers, facing the bullying behavior of ranchers, while showing reasonable personality differences and diverse reactions, as a whole, they moved in the general direction of active resistance. No family fled the canyon, and even more people died on the battlefield! This is seriously separated from the cowardly town of "Noon". In the relationship between the people and the hero, the film is more active than noon. On the contrary, its heroes are exhausted and fighting, and they must be reactivated by the cruel reality and popular enthusiasm.

Shane quotes

  • Joe Starrett: Looks like your friends are a little late. What are the Ryker boys up to this time?

    [points a rifle at Shane]

    Shane: Ryker?

    Joe Starrett: That's what I said.

    Shane: I wouldn't know a Ryker from your Jersey cow.

    Joe Starrett: Don't forget to close the gate on your way out.

  • Rufus Ryker: I don't want no trouble, Starrett. I came to inform ya. I got that beef contract for the reservation.

    Joe Starrett: Did it take this many of you to tell me that?

    Rufus Ryker: I mean business.

    Joe Starrett: Then you tend to your own.

    Rufus Ryker: That's just what I'm doing! I'm telling ya now, I'm gonna need all my range.

    Joe Starrett: Now that you've warned me, would you mind gettin' off my place?

    Rufus Ryker: Your place! You're gonna have to get out before the snow flies.

    Joe Starrett: And supposin' I don't?

    Rufus Ryker: You and the other squatters...

    Joe Starrett: Homesteaders, you mean, don't you?

    Rufus Ryker: I could blast you out of here right now, you and the others.

    Joe Starrett: Now you listen to me, the time for gun-blastin' a man off his own place is past. Why, they're building a penitentiary right now...

    Marian Starrett: Joe, that's enough.