The sense of guilt is weak in the movie, but the name of the movie is knocking on the door of heaven, which is deconstructed enough. God is not dead, but heaven has descended to earth.
Although the film does not want to educate, it is not completely unoriented, and the film has a love for the sea – which may be extended to nature. There is love for family. Someone becomes a quest for a richer self.
The last scene is a sublimation of the whole movie. After a Dionysian carnival, the two were completely treated as black backs, just like we were watching a movie and projected onto the screen, and we—more likely projected ourselves as the one sitting The weaker man - facing the rough sea. I am one with the film and the sea, and I think that is the ultimate harmonious experience that the director is looking for.
At that time, after watching the movie, the audience in the auditorium did not stand up. I think this is the situation when everyone faces the sea after experiencing the carnival. I dare not say that everyone who sees the movie will have a deeper thought about how to change their life. But for myself, I would like to give life to a bar, even if the wine is bitter.
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