Garnet 2022-03-23 09:03:04
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Lesly 2022-03-15 09:01:06
Clear, clean, pure and innocent, close to French New Wave movies. The two-person world in Chuanwan reminds me of Zhou Bangyan's poetic realm: "Xiaoqi Qingzhou, dreams of Furongpu". Anderson gave the performance of staring at the audience for the first time in film history. His eyes moved to the outside of the screen. The face and eyes were surrounded by light and shadow, Bergman's master of imaging. Monica who grows naturally, she wants agile love, not a restrained Nestle.
Jamaal 2022-03-20 09:02:36
What I'm talking about is: Fall in love with a wild horse, but I don't have a prairie. It is this kind of crazy model of love relationship, but after the madness, it will only cool down after all. The attitude of retreating from the world is a bit anti-social and anti-civilization, but everything still returns to the secular life of succumbing to firewood, rice, oil and salt.
Svensson: Come out with me. I'll cheer you up.
Monika Eriksson: Not likely. I've got other fish to fry. I'm going steady.
Svensson: You too? All the floozies are going off the market.
Monika's Boss: Nilsson!
Svensson: It's Svensson.
Monika's Boss: Same difference. I promised your boss a bottle on my ration card. He said you have money. Hurry up before they close!
