He is a director of the new generation of realism, but more romantic than his predecessors. Although the stories are always told in such a plain way, they are all very romantic and gentle stories. Some changes have been made to this film. Although the core is still the kind of warmth, it is wrapped under the shell of cruelty and suspense.
The story of the movie starts with erotic suspense and returns to the present after the subtitles. The heroine is a mysterious woman who does strange things. The paragraph before the subtitle tells about the past and criminal pornography. Fragments of the present moment will stir her memories, flashing back to the unbearable past. But those didn't seem to be directly related to what she was doing now, and the mystery wasn't revealed until almost the end.
The theme of thought seems to be about maternal love...about the child to the mother. However, this film is more about the rendering and sensationalism of the atmosphere. Impressive, but nothing more.
The movie uses a lot of flashback sequences, with different parts corresponding to different tones. To today's audience, such a treatment will not find it novel and incomprehensible. We've been trained by commercials and MTV to be very receptive to this style of montage effect.
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