At first the women and men are trapped in the pain of the past, until they learn to understand and learn to love, and then the hero dies, but instead makes everyone re-understand their lives and find that they need to grasp the most important thing in front of them. ,treasure it.
The idea is very good, but it can be seen that the director is still young, the taste of the academic school is very strong, and the feeling of the beauty of the camera is all the way of the academic school. of trivialities. For example, the male protagonist's hatred for his father is actually quite immature, and the way to resolve it is also very unrecognizable, almost inexplicable.
The photography is good, the editing is acceptable, the male lead is not good-looking, the female lead passes... In other words, the whole film has no love, it is full of American trivialities, and some have a feeling of making a fuss, which fully reflects a series of neurotic persecution paranoia in the United States. As foreigners, we don't think it matters. The most amazing thing is that the father and brother help their daughter vent their anger. I want to say that the director seems to agree, but this approach is tantamount to making his children more and more dependent on their parents. It seems that Chinese parents are better off letting their children grow up because they have no time to take care of their children at work. They have to learn to deal with everything by themselves, rather than waiting for their families to help them settle things. The little girl's experience is sympathetic, but it is good for her personality, world outlook, outlook on life and mental growth to be handled by herself.
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