Like the predecessor's "Stealing Heart", the film is also a thoroughly British literary film (although it is co-produced by the United States and France). Under the steady movement of the mirror and the slow rhythm, the hero and heroine are hovering between the edge of derailment and the bottom line of cheating. The director explores the family view of the 21st century middle class from a parallel perspective without moral criticism. Female No. 1 relies on a woman's alertness and intuition to determine her husband's infidelity, and after reconciling with her husband, she meets her ex-boyfriend Male No. 2 at an inopportune time. So the four find their emotional belongings in the exchange of positions. Male No. 1 flirts with female No. 2 under the provocation of female No. 2; Female No. 1 falls asleep in the arms of male No. 2 between reason and emotion, active and passive, and confirms the relationship between lovers above AUO. It can also be seen from the title of "Last Night" that the derailment activities of the foursome have stayed on this last night, and there is no following. The film is interestingly anchored in the pair of provocative high-heeled sandals in the skeptical dialogue and tacit embrace of the husband and wife.
Is it the husband's physical infidelity or the wife's platonic emotional infidelity that makes it more difficult to let go of each other?
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