The second half is thinking, who is not dead, who is not.
This is not a sufficiently engaging film, the process is simple and crude, and the purpose is clear and straightforward.
But it's a frankly enough film. It is precisely because of this that the film lacks some appeal.
Everyone in the film is smart but lacks great wisdom.
Murase is stealing drugs and trying to hide from the public.
The president is trying to sow discord and wants to stay out of it.
Chi Yuan pushed the boat smoothly and wanted to sit firmly in the country.
Ozawa took the opportunity to take the position and wanted to profit from the fisherman.
Dayou is ruthless and wants to live in peace.
Even the little gangster at the beginning wanted to deceive people to spend money on wine, and finally got killed.
Is the smartest one the old policeman who "cause career is more important than money these days" and collects money everywhere?
When Takeshi Kitano puts the underworld so naked in front of you, will you still yearn for such a ruthless, unscrupulous and unscrupulous arena?
When you see Mizuno saying goodbye to his woman and preparing for revenge, will you think of Pony?
When you see Otomo calling an old police friend, will you think of the blind swordsman Zatoichi who fought one against ten?
Did we beautify the bad things in the movie, or did Takeshi Kitano smear the beautiful rivers and lakes we promised in our hearts?
Takeshi Kitano once said that the last sentence of the bad boy's sky "Pony, are we finished? Fool. We haven't started yet!" Originally, there was no, because he knew in his heart that they had no future.
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