Yunascu told people that the principle of the absurd is very simple, it is to create some non-existent connections, whether it is people and people, or people and objects.
As for logic, if someone really thinks about it, the absurd arises.
The absurd usually leads to despair, but this movie doesn't, it's absurd for the absurd's sake.
Because it is very persistent in pointing the camera at the tires and the car, and persistently shooting them as characters, and the people watching with binoculars and people who have been shot in the head have actually become objects. This is the inversion of the object.
The soundtrack is also very interesting, most of the silence in the front sets off the rock march of the last tire army, which is hilarious.
Most of the scenes are set in the field, and there is a strong dramatic style that makes it light and bright.
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