Like "Life is Beautiful", this movie is also a movie that makes people laugh and move. The difference is that it does not have the bitterness and helplessness of losing a loved one in "Life is Beautiful", and the war as the background is also weakened a lot. It simply revolves around the heroine Attilio and the heroine Victoria. Love unfolds, single-mindedly depicting the beauty of love and its great power. In an interview, Bernini said that I have always wanted to make a movie like "Tiger and Snow", a love movie that is pure as snow and persistent for love. The film is full of romantic moments, including the poet's original intention to be a poet, including the story of the old man who gave him the glycerin formula, including the soulful gaze of the tiger in the tidbits, including Attilio every time he leaves Victoria The kiss on her forehead also includes the sweet ending at the end of the film. Even the death of the poet's friend has been painted with a layer of beauty because of the flipping pages and the quiet flowers and trees.
The poet Fuad, played by Jean Reno, is an Arab poet who resolutely returned to his motherland from Rome after the outbreak of the Iraq War, returned to the beautiful garden he missed, and retrieved his youthful dream buried under the shade of a tree. But all he saw was devastated, burnt houses, streets reduced to rubble, and black gun muzzles behind barbed wire.
Fuad sat on the stone and watched the battle on the other side of the river. The velvet blue night sky lit up like fireworks, and his hometown looked beautiful when it burned down. And he can only sit and look up, unable to save all this fall.
He has nothing, and the battle has taken his home and faith, and all his efforts are only illusory bubbles, insignificant like confetti flying in the dust.
Although movies always tell people to live an active life, be strong in fear, grow up in despair, and find support for love. However, the war itself is a bottomless black hole, swallowing these tiny candles, we will always see the lives that are extinguished in the darkness. At this time, we can only pray silently, hoping that the peaceful dawn will dispel these worst times.
Compared with the heavy concentration camp life in "A Beautiful Life", "Tiger and Snow" is more romantic and sentimental. Every moment is immersed in the beautiful melody of poetry. Even under the sky full of war, the singing is never interrupted.
In 1983, Roberto Benigni met Nicoletta Blaschi, and since then his films have had only one heroine, the love of his life. In his life, he fell for the same woman again and again on the screen. He was fascinated by her, tossing and turning, using his voice to find her ears, and using his steps to measure the country that her eyes reached.
It was her in his dreams, it was always the same dream, she poured out her heart to him in a white wedding dress. He loves her and loves her in his dreams. She does not have stunning beauty, but she can stop Attilio's planet with one look. He didn't remember the first sight of seeing her at all, like every snowflake melting in the sun, and every time he met her, he fell in love with her again. He has to keep his eyes open, follow every step of the way, tell innocuous, easily debunked lies when necessary, and say "I love you" when there is no appropriate topic. He wanted to be Victoria's little cloth bag, let her stab and stab him with small needles, and still dance happily. He robbed stores for her, crossed deserts, jumped into minefields, put him in jail, and spoke to camels. There was no shadow of death around her, it was all his chatter, his love, his lame jokes, and the time he could entertain himself with a little prop.
Victoria once picked up a book of poems and joked that if she met a tiger while it was snowing in Rome, she would fall in love with Attilio. The question is, with Atilio's earth-shattering, maddening and persistent love, what else is impossible?
If Chaplin's comedy is to excavate the bitterness of the times from the joy of small people, Roberto Bernini's comedy is to find hope in the adversity of life. It's hard to see a director who loves life more than him, and doesn't hesitate to release his enthusiasm in the camera.
Bernini once said, "Chaplin uses his ass more than any other actor, and in his films, the ass is the first protagonist. For comedy, the importance of the ass is unparalleled." At my Cannes In the memorabilia, there are stars who have walked on the red carpet for decades, looking forward to the camera, but only Roberto Bernini threw himself on the ground regardless of his image, and crawls in front of the jury chairman Martin. At the feet of Sixes, expressing his ecstasy of winning, leaving the camera a butt.
Bernini's performance has a sense of exaggeration in silent-era comedy, and those who are used to watching modern Hollywood parody comedy might think he's contrived and don't understand why he's so crazy. I think in order to understand Bernini's way of acting, one has to understand his love of life. The intelligence of his characters is never as pitiful as Mr. Bean's IQ. They always have a certain talent, and their nerves are burned by talent, and they can't do any other simple things well. Just like Attilio in the film, when he talks about poetry, he can make the stone sing, and make women fall at his feet. When it comes to life, he will fall down even when he walks, speak upside down, and never remember what he did in the last second, even a camel. Come and bully him.
Roberto Benigni's passion for life is both hilarious and tearful. He laughs because he still maintains a playful and simple character in a difficult situation, and cries because no matter how the environment destroys its will, he retains his sincerity and dedication to his feelings. It's hard to see him shed tears in the film, and only twice in "Love You As Beautifully" are tears in his eyes. Once, telling Emmenage that Victoria was the sunshine that ignited his life, and once seeing his friend Fuad hang himself after the trauma of the war was unbearable. Both times it's about life, it's about love. For him, that was the most important thing. Without a quilt, you can lie on the ground and look up at the blue sky; without socks, you can feel the pulse of the earth with your bare feet; but if there is no love and love for life, all this will be wiped out.
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