See You Space Cowboy Address: http://www.xiami.com/song/2087235 As I write these words, I'm playing this See you space cowboy over and over again. I think it's like the song "The Star-Crossed Lovers", you won't stop thinking about it until you listen to it a few hundred times. It's not paranoia, it just means that both stories ignited my hippocampus and amygdala to become as emotional as Spike's damn bigot. No one can change these physiological responses, and I'm not sad or happy about it. I'm a little fortunate that I don't have that artificial eye. If I can see the past from time to time but live in the bleak present, I don’t think I will live long, and I must cut myself off. Spike's sloppiness and indifference must also conceal the pain. He accompanies gentle death, day by day - but when he hears someone's name, his pupils dilate. Julia is an ordinary woman's name. Faye and her sympathy and curiosity about her are all familiar. Faye's evaluation of her is even more familiar, with a little jealousy, envy, and pity, as well as concern for Spike. "Jet: 'What kind of woman is that Julia?' Faye: 'An ordinary woman. Beautiful, dangerous, and reassuring. ordinary woman. '" Everyone understands that if a woman is to be evaluated as "ordinary woman" twice, she must not be ordinary. When Julia's beautiful blonde hair cascades down in slow motion and spreads over the damp roof, This story is very close to the end. When he went back to eat the last plate of shredded green pepper and pork, my eyes started to heat. Faye couldn't persuade the bird nest head, and couldn't help but fired five shots at the ceiling, the silence made me hold my breath Breathe. Then the prelude to this song suddenly sounded, the red Swordfish flew away from Bebop without hesitation, the tears could not hold back. Damn Shinichiro Watanabe. Damn Yoko Kanno. Damn Koichi Yamadera. You succeeded again There is one more character in history that makes people love and hate, and there is one more person who shed tears for him. Revisiting Cowboy Bebop, the original intention is to put the familiar soundtrack in the film one by one It's also a wish. I didn't want to see the ending in one breath, but I just felt unfinished, and I wondered why so many background stories were left blank. Each character only leaves the audience a short segment of life, other It doesn't seem to matter anymore. Really hate it. What kind of woman is Julia? What memories does Spike have with her? Faye, Jet, Ed... What's their past...everyone seems to be floating up and down, only the Jet and the Bebop are always there, patiently waiting. It's like a broken version of Fellowship of the Ring, but the short reunion turns out to be for a long parting. These people who come and go like the wind are completely wandering travelers. You don't need a sense of belonging, you don't need your family, as long as you have memories and cigarettes to accompany you, life will no longer be like a year. Essentially, the story is about loneliness and betrayal, and a search. Except for a few specific people, the others are passers-by and trash. Spike's confession, the first time I heard it, really shocked me, no matter how much others criticized it, I would never forget it. To be loved so deeply by someone, Julia deserves no regrets. He said: "There was a woman who showed me for the first time, a woman who was really alive...I thought so. She was...a piece of me that I lost. I wanted to get...my significant other." The background music is the most tender Waltz for Zizi on the soundtrack, and it's the first and last time to see Spike's heart full of thoughts. He didn't need to say another word. Spike is already a man who has died once. This time, he just accompanies Julia to a dream, a dream that will never wake up.
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